Place attachment, sense of belonging and identity in life history narratives of Iranian Baha'i refugees

2009 ◽  
Vol 15 (1) ◽  
pp. 3-18 ◽  
Author(s):  
Ruth Williams
Inner Asia ◽  
2010 ◽  
Vol 12 (1) ◽  
pp. 5-23 ◽  
Author(s):  
Yuki Konagaya

AbstractIn this article I introduce our collection of oral histories composed of life histories recorded between 2001 and 2006. First, I discuss some devices implemented in the process of collecting life histories, which was to make oral histories 'polyphonic'. I then suggest that oral history always has a 'dual' tense, in that people talk about 'the past' from the view point of 'the present'. This is illustrated by six cases of statesmen narrating their views about socialist modernisation. Finally, using one of the cases, I demonstrate the co-existence of non-official or private opinions along with official opinions about the socialist period in life-history narratives in the post-socialist period. I call this 'ex-post value'.


2021 ◽  
Vol 22 (2) ◽  
Author(s):  
ELINE G. O. ZIOLI ◽  
FÁBIO S. RODRIGUES ◽  
EVANDRO L. GAFFURI ◽  
ELISA Y. ICHIKAWA

ABSTRACT Purpose: To understand the processes of territorialization in the daily life and work routine of settlers in Querência do Norte, Paraná, Brazil. Originality/value: This work contributes to the context of discussions on territory and territorialization processes (Haesbaert, 2011; Raffestin, 1993, 2008; Saquet, 2008) in the daily life (De Certeau, 2014) of workers marginalized by society in general. Design/methodology/approach: We developed this qualitative article from data collected through eight life history interviews with settlers, pre-settlers, and residents of Querência do Norte, in the State of Paraná (PR). After transcribing the interviews, they went through an analysis of narratives. Findings: We identify that, through the practices of work, study and claims, the settlers territorialize the space, and there they create their own rules and norms of coexistence. In their struggles for land, it is clear that their place of belonging is the field, justifying the insistence on the struggle for the right to land to cultivate. The sense of belonging of the workers is represented by the struggle that unites them and places them as part of a larger movement. Placing men at the center of the construction of territoriality is accomplished through the daily struggle and work of the settlers and pre-settlers in Querência do Norte (PR).


1994 ◽  
Vol 23 (4) ◽  
pp. 30
Author(s):  
Kathleen Weiler ◽  
Kathleen Casey ◽  
Sue Middleton

2021 ◽  
Vol 9 (4) ◽  
pp. 116-129
Author(s):  
Ruth Segers ◽  
Karin Hannes ◽  
Ann Heylighen ◽  
Pieter Van den Broeck

The built and living environment in the Flemish region in Belgium is evolving noticeably. It is densifying at an ever‐faster pace and, along the way, becoming increasingly unfamiliar to its inhabitants. Many people face profound difficulties in autonomously and positively dealing with such drastic changes, causing their feeling of home to waver. Triggered by these challenges and supported by the local authority of a Flemish town, the experimental and co‐creative art project Mount Murals set out to stimulate new embodied interactions between and among local residents of various ages and backgrounds and with their built environment. These include remembering place‐related sentiments, being aware of body language that plays between participants while co‐creating and sensing an invigorating stimulus when seeing results. Awakening intrinsic appreciation in people for their own environment and associated social relationships stimulates an inclusive dealing with estranged relationships in space. Referring to the relational neuroscience principles attachment, co‐creating and co‐regulating as a modus of relational resonating, we explore how and under which conditions Mount Murals’ co‐creative art trajectory supports an evolving embodied place attachment, an essential element of the sense of belonging, in participants. By embedding assets inherent to art creation in action research and starting with meaningful everyday objects, Mount Murals carries forward an art expression that considers the co‐creation process and its co‐creative products as equally important.


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