Introduction. Why Abalone? The Making of a Collaborative Research Project

Abalone Tales ◽  
2020 ◽  
pp. 1-16
Societies ◽  
2021 ◽  
Vol 11 (2) ◽  
pp. 61
Author(s):  
Monica Cerdan Chiscano

Although librarians generally display an inclusive management style, barriers to students with disabilities remain widespread. Against this backdrop, a collaborative research project called Inclusive Library was launched in 2019 in Catalonia, Spain. This study empirically tests how involving students with disabilities in the experience design process can lead to new improvements in users’ library experience. A mix of qualitative techniques, namely focus groups, ethnographic techniques and post-experience surveys, were used to gain insights from the 20 libraries and 20 students with disabilities collaborating in the project. Based on the participants’ voices and follow-up experiences, the study makes several suggestions on how libraries can improve their accessibility. Results indicate that ensuring proper resource allocation for accessibility improves students with disabilities’ library experience. Recommendations for library managers are also provided.


1999 ◽  
Vol 17 (3) ◽  
pp. 296-307 ◽  
Author(s):  
Jacqueline S. Dowling ◽  
Mary Anne Bright

Leadership ◽  
2014 ◽  
Vol 12 (1) ◽  
pp. 53-85 ◽  
Author(s):  
Chantale Mailhot ◽  
Stéphanie Gagnon ◽  
Ann Langley ◽  
Louis-Félix Binette

2018 ◽  
Vol 31 (2) ◽  
pp. 333-341
Author(s):  
Cristiano Giometti ◽  
Loredana Lorizzo

Abstract The Rondinini family is important for having developed a well-defined taste in collecting during the fifteenth to eighteenth centuries, with an interest in ancient sculpture and painting staged in their palaces and villas in Rome and its surroundings. The most eminent artists active in seventeenth-century Rome worked for them. The paintings presented here are the most relevant examples of a great number of works that have re-emerged during a collaborative research project conducted by the universities of Florence and Salerno on the family’s contributions to the history of collecting. The first is a signed self-portrait by the Flemish artist Paul Bril, a pioneer amongst the landscape painters active in Rome between the late 1500s and early 1600s – a work of large size for the artist (110.0 x 81.5 cm); the second is a ‘witchcraft crowded with figures’ painted by Pieter van Laer, an eminent Dutch painter and leader of the group of masters called the ‘Bamboccianti’.


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