6. Genealogical memory: Constructing female rule in seventeenth-century Aceh

2011 ◽  
Vol 42 (2) ◽  
pp. 303-323 ◽  
Author(s):  
Stefan Amirell

Only in a handful of cases in world history has female rule been seen by contemporary observers as desirable and been sustained for long periods of time. Drawing on European, Malay and Chinese sources, this article investigates the reasons for the institutionalisation of female rule in the Malay sultanate of Patani (presently in southern Thailand) for most of the period between c. 1584 and 1711. It is concluded that the results of previous research, in which the Patani queens are characterised as powerless front figures and/or promiscuous, have insufficient support in the contemporary sources. Furthermore, the problems of female rule for dynastic stability are discussed comparatively. Finally, the decline of female rule in Patani after the mid-seventeenth century is explained with reference to the larger political, economic and military changes in maritime Southeast Asia at the time.


1963 ◽  
Vol 18 (1) ◽  
pp. 69-69 ◽  
Author(s):  
Jozef Cohen
Keyword(s):  

2020 ◽  
Vol 47 (2) ◽  
pp. 236-253
Author(s):  
Wu Huiyi ◽  
Zheng Cheng

The Beitang Collection, heritage of a seventeenth- and eighteenth-century Jesuit library in Beijing now housed in the National Library of China, contains an incomplete copy of Pietro Andrea Mattioli’s commentary on an Italian edition of Pedanius Dioscorides's De materia medica (1568) bearing extensive annotations in Chinese. Two hundred odd plant and animal names in a northern Chinese patois were recorded alongside illustrations, creating a rare record of seventeenth-century Chinese folk knowledge and of Sino-Western interaction in the field of natural history. Based on close analysis of the annotations and other contemporary sources, we argue that the annotations were probably made in Beijing by one or more Chinese low-level literati and Jesuit missionaries during the first two decades of the seventeenth century. We also conclude that the annotations were most likely directed at a Chinese audience, to whom the Jesuits intended to illustrate European craftsmanship using Mattioli’s images. This document probably constitutes the earliest known evidence of Jesuits' attempts at transmitting the art of European natural history drawings to China.


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