Variant readings in the so-called Tbilisi hymn to Dionysus

2021 ◽  
Vol 67 (1) ◽  
pp. 43-49
Author(s):  
Boris Kayachev
Keyword(s):  

Abstract The papyrus on which the so-called Tbilisi hymn to Dionysus survives (P. Ross. Georg. I 11 [LDAB 4911 = MP3 01861.000]) is remarkable for preserving, along with the hymn’s text, a number of marginal and interlinear variant readings, which, interpreted as authorial variants, have led to the conclusion that the papyrus represents an autograph draft. As the present study argues, it is in fact more likely that the variants belong to a copyist or reviser rather than to the hymn’s author.

2011 ◽  
Vol 80 (1) ◽  
pp. 163-166
Author(s):  
Neil Adkin
Keyword(s):  

1995 ◽  
Vol 45 (4) ◽  
pp. 516-527 ◽  
Author(s):  
Nadav Naʾaman
Keyword(s):  

Archaeologia ◽  
1961 ◽  
Vol 98 ◽  
pp. 1-28 ◽  
Author(s):  
John H. Harvey

The Wilton Diptych (pls. I, 11) is in quality the most outstanding painting known from the English middle ages. Its unique interest has produced a massive literature, much of it concerned with stylistic problems and with purely theoretical interpretations. Little can be added to the meticulous description of Sir George Scharf, while only one major contribution has been made to the historical analysis of the painting's heraldic data, by the late Miss Maud Clarke. This heraldic analysis offered abundant evidence of approximate date, yet the subsequent literature has failed to take adequate account of the limits set, and a fundamental reassessment of the facts is overdue.


Philologus ◽  
1869 ◽  
Vol 29 (1-4) ◽  
Author(s):  
Dr. Campe
Keyword(s):  

2002 ◽  
Vol 66 (1) ◽  
pp. 188-191 ◽  
Author(s):  
Koji KAKUGAWA ◽  
Masahiro TAMAI ◽  
Kunihiko IMAMURA ◽  
Keiko MIYAMOTO ◽  
Shozo MIYOSHI ◽  
...  

Author(s):  
Author Not applicable
Keyword(s):  

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