Narrentum and Being-Jewish: Kafka and Benjamin

Naharaim ◽  
2021 ◽  
Vol 15 (1) ◽  
pp. 57-72
Author(s):  
Galili Shahar
Keyword(s):  

Abstract This essay examines the notion of Narrentum (foolishness) in Franz Kafka’s writings, reflecting Walter Benjamin’s engagement with the legacy of Kafka’s fools. The Narr, associated with playfulness, irony, and resistance, provides a comic perspective on the question of being-Jewish. Alongside its Germanic, mostly Baroque, heritage, the Narr incorporates traditional Jewish tropes, primarily rooted in Aggadic traditions. However, in Kafka’s world, the Narr embodies performative skills also linked to Yiddish theatre. In Benjamin’s readings, Kafka’s Narr is associated with the crisis of modern Judaism and with different modes of wisdom. The Narr signifies particular sorts of nihilistic freedom, which Benjamin refers to as redemptive.

2021 ◽  
Author(s):  
Robert Eisen

This Element explores the potential in Judaism to incite Jews to engage in violence against non-Jews. The analysis proceeds in historical fashion, with sections devoted to the Hebrew Bible, rabbinic Judaism, medieval and early modern Judaism, and modern Zionism. The last topic is given special attention because of its relevance to the current Middle East conflict. This Element also draws on insights from social psychology to explain Jewish violence - particularly Social Identity Theory.


2001 ◽  
Vol 62 (1) ◽  
pp. 133
Author(s):  
Edward Breuer ◽  
Arnold M. Eisen
Keyword(s):  

2016 ◽  
Vol 109 (1) ◽  
pp. 129-143
Author(s):  
Daniel Rynhold

In the twentieth century, historical circumstance in the form of the Holocaust led to theodicy's returning to the forefront of the philosophical agenda, particularly in Jewish thought. As a result, post-Holocaust theology is almost always an element of introductory courses on modern and contemporary Jewish philosophy, if not introductory courses on modern Judaism simpliciter. Many working in the field of Jewish philosophy, therefore, probably first encounter Emil Fackenheim (1916–2003), and the infamous turn of phrase that ensured his immortality in the realm of Jewish thought, early on in their studies. Fackenheim was one of the most influential post-Holocaust philosophical voices in what soon became a cacophony. This German-born philosopher's (and ordained Reform rabbi's) concept of the 614th commandment—not to grant Hitler a posthumous victory (in his own words “the only statement of mine that ever became famous”)—has captured the imagination of many a student and often made a lasting impression. Yet it seems that one of the concerns at the forefront of this new expansive monograph on Fackenheim's philosophy is that for the majority, this constitutes both their first and last exposure to his thought, leaving them with an extremely contracted view of his conceptual palate. The result, noted in the book's introduction, is that Fackenheim has never really been considered a Jewish philosopher worthy of mention in the same breath as Hermann Cohen, Franz Rosenzweig, or even latterly Emmanuel Levinas and Joseph Soloveitchik. In this volume, a case is presented for including him on that list.


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