Afro-Latin Soul and Hip-Hop

Author(s):  
Alejandro Nava

This chapter explores the history of African and Spanish musical fusions. In terms of race relations in the New World specifically, music has frequently been the occasion for an exchange of ideas and sounds that has brought together various cultures, transforming conflicting and clashing relations into harmonious streams of sound. Hence, lingering affinities from medieval Al-Andalus have been the inspiration for African and Spanish conjunctions and collaborations in modern times and have resulted in novel, hybrid inventions, everything from salsa and samba to funk and hip-hop. This chapter focuses on hip-hop within this context, though it also takes a look at the cultural soil of Latin America to appreciate the roots and branches of African and Spanish blends in the New World.

1955 ◽  
Vol 11 (4) ◽  
pp. 517-539
Author(s):  
Richard M. Morse

Latin americanists have in recent years become increasingly concerned with constructing the basis for a unified history of Latin America. Frequently this enterprise leads them to contemplate the even larger design of a history of the Americas. While the New World may still be, in Hegel’s words, “a land of desire for all those who are weary of the historical lumber-room of old Europe,” it is now recognized as having an independent heritage; its history is no longer experienced as “only an echo of the Old World.”


2020 ◽  
pp. 147-160
Author(s):  
Yarí Pérez Marín

This section reflects on the cross-fertilisation between science, medicine, literature and art in the consolidation of New World identity and discourse, beyond the sixteenth century. It invites readers to consider towering figures in the cultural history of colonial Latin America, such as writer Inca Garcilaso de la Vega, polymath Sor Juana Inés de la Cruz and painter Miguel Cabrera, discussing some of their connections to earlier texts on anatomy and physiology. The epilogue makes a case for redefining the medical texts studied in Marvels of Medicine as early matrixes of colonial rhetoric, scientific and literary objects that charted a course for future colonial subjects’ sense of identity in relation to the larger context of global knowledge production.


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