Review: Roman Architecture in Provence, by James C. Anderson

2017 ◽  
Vol 76 (2) ◽  
pp. 239-240
Author(s):  
Louise Revell
Keyword(s):  
1999 ◽  
Vol 103 (3) ◽  
pp. 570
Author(s):  
Pierre Gros ◽  
James C. Anderson
Keyword(s):  

1943 ◽  
Vol 47 (1) ◽  
pp. 141
Author(s):  
Valentine Muller ◽  
Axel Boethius

2015 ◽  
pp. 344-364
Author(s):  
Edmund Thomas
Keyword(s):  

1970 ◽  
Vol 29 ◽  
pp. 177-196
Author(s):  
Louis Cellauro

This contribution examines Palladio's relation to Vitruvius with regard to the canonical orders: the Tuscan, Doric, Ionic, and Corinthian. Palladio became acquainted with Vitruvius Through his first mentor, Gian Giorgio Trissino, who had founded an academy. in the first book of I quattro libri dell'architettura Palladio repeatedly refers to Vitruvius. However, like most Renaissance architects, Palladio also studied the existing remains of Roman architecture. For him, archaeological evidence had more weight than the written words of Vitruvius. Though Palladio regarded Vitruvius as his "master and guide", he would deviate from Vitruvius' rules when he found the remains of Roman architecture more satisfactory. For Palladio, Vitruvius' rules were not unalterable, they were guidelines which the architect could modify.


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