Some thoughts on linking Tamil, Sumerian, Gondi, Brahui and Indus Valley Scripts on nostalgic memories

2021 ◽  
Author(s):  
PURUSHOTHAMAN P
Keyword(s):  
1964 ◽  
Vol 90 (1) ◽  
pp. 207-242
Author(s):  
Alexander V. Karpov
Keyword(s):  

1931 ◽  
Vol 63 (3) ◽  
pp. 593-596
Author(s):  
S. Langdon
Keyword(s):  

This year M. L. Ch. Watelin, director of excavations for the Oxford Field Museum Expedition at Kish, has found another seal of the early Indus Valley civilization at plain level, 9 metres below the surface of the soil. According to our stratifications at this site, the object should be pre-Sargonic, but it was found with a stone pommel bearing an inscription clearly not earlier than Sargon of Agade. Both objects, therefore, may have fallen from above.


2021 ◽  
Vol 5 (3) ◽  
pp. 99-106
Author(s):  
A Raja

Humans, who worshiped nature in ancient times, began to worship deities on the basis of images in historical times. Excavations at Harappa have uncovered a standing image of a mother goddess that is a testament to the existence of mother worship in the Indus Valley Civilization. An old woman with a female figure was found in the Adichanallur excavation in Tirunelveli district in Tamil Nadu. Similarly, the Sangam literature Manimegalai and Silappathikaram give us references to the worship of the goddess. It is noteworthy that sculptures of this deity have been found in the northern and southern parts of Tamil Nadu. However, the evidence we have found shows that there are numerous sculptures of the Goddess in the northern districts. However, the evidence we have found shows that there are numerous sculptures of the Goddess in the northern districts. Most of the places of worship where the statue of the Goddess is located are very ancient. Thus this article explores and explains the sculpture of Moothadevi (Jeshtadevi) in the Tamil University Museum. 


1999 ◽  
Vol 5 (3) ◽  
pp. 12-30
Author(s):  
Joan Aruz

AbstractThis paper focuses on one aspect of the representation of divinity in the Oxus region: the way in which animal and human characteristics are combined to create various supernatural creatures. Both the presence and absence of certain attributes are emphasized in the attempt to define the extent to which the Oxus region relates to that of its neighbours both east and west. There are some pervasive similarities in the artistic rendering of divine power throughout the Near East, western Central Asia and the Indus Valley. However, there are also major differences, which seem to illustrate the impact of Mesopotamian divine imagery on Harappan art, while the deities and demons of Bactria-Margiana belong to a world similar, in part, to that expressed in the arts of southern Iran.


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