Analysis of 2015 Revised High School Music Textbook Focusing on Sanjo

2021 ◽  
Vol 12 (6) ◽  
pp. 1791-1804
Author(s):  
Jiyong Yuk ◽  
Haerina Park
1940 ◽  
Vol 48 (6) ◽  
pp. 445-450 ◽  
Author(s):  
L. A. Pechstein ◽  
L. Paschal Monk

2020 ◽  
pp. 002242942097578
Author(s):  
Tiger Robison ◽  
Scott N. Edgar ◽  
John Eros ◽  
Kimberly H. Councill ◽  
William E. Fredrickson ◽  
...  

The purpose of this instrumental multiple case study was to explore the roles that high school music educators and the experiences they provide play in influencing high school students’ decisions to pursue a career in music education. Four bounded systems, consisting of programs led by ensemble directors with documented records and reputations for helping matriculate music education students into undergraduate music education programs, were studied. Findings were organized into the following themes: (a) formative attraction to the profession, (b) differing approaches to encouragement, (c) forms of encouragement, and (d) life as a music teacher. Specific implications for practice for multiple stakeholders and implications for future research are provided based on these findings.


1981 ◽  
Vol 1 (1) ◽  
pp. 67-88 ◽  
Author(s):  
Christopher M. Aranosian

This article explores the stream of consciousness as a primary source for the ideas from which music is created. Improvisation and composition are presented as behaviors which deserve attention at all levels of elementary and high school music programs; the cognitive foundations of each are discussed. Also, humanistic methods of teaching music are described in the article as being superior to the traditional behaviorist methods, because the former encourage the development of both representational and creative skills, while the latter reward representational skill development and discourage the skills needed to be a creator of music.


1958 ◽  
Vol 45 (2) ◽  
pp. 62-62
Author(s):  
Ted C. Tatgenhorst

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