Books and Libraries in Camp and Battle: The Civil War Experience.

1988 ◽  
Vol 52 (4) ◽  
pp. 221
Author(s):  
Harold D. Langley ◽  
David Kaser
Keyword(s):  
1986 ◽  
Vol 52 (3) ◽  
pp. 466
Author(s):  
Michael Barton ◽  
David Kaser
Keyword(s):  

2021 ◽  
Vol 58 (2) ◽  
pp. 1-7
Author(s):  
Solomon Awuzie

As part of the third generation of Nigerian poetry, Isidore Diala’s The Lure of Ash focuses on the Nigerian Civil War experience of 1967–1970, the grief associated with it, and the resurrection of the Biafran agitation. Being a collection that is derived from the rural world of the Igbo cosmology, Diala’s The Lure of Ash portrays the Nigerian Civil War in a sensuous and emotive tone. It accounts for the poet’s belief in the regeneration of the lives of the dead Biafran soldiers. The symbols of fire and ash are significant for interpreting the poet-speaker’s grief in the collection. The collection also succeeds in painting a picture of the Nigerian Civil War experience where the bitter memory of the war resonates, while representing poetry as the healer of the pain and wounds of the war.


2009 ◽  
Vol 11 (1) ◽  
pp. 128-165 ◽  
Author(s):  
R. Thomson
Keyword(s):  

2021 ◽  
Vol 18 (1) ◽  
Author(s):  
Solomon Awuzie

The article contends that Hyginus Ekwuazi’s That Other Country addresses the Nigerian Civil War experience and the agonies of the Igbo persona. Being a latter third generation Nigerian poetry, the collection chronicles the connection between the agonies of the Igbo persona, the activities that led to the war, and the war experience itself. Unlike most Nigerian Civil War poetry, Ekwuazi’s That Other Country is influenced by the recent campaign and agitation for Biafra. The poetry does not only record a new version of the war experience, it reflects the Igbo persona’s disenchantment with the worsening socio-political situation of the Nigerian State. The poetry shows that the agony of the war glows, even though the war took place 50 years ago. The collection depicts that the agony of the war is fuelled by the inability of the Igbo persona to forget the horrible experience of his past. The article concludes that Nigerian Civil War poetry has continued to surface because successive Nigerian governments have been unable to provide a levelling ground for its people to melt away the tribal and ethnic mistrust that has become part of its national consciousness.


1960 ◽  
Vol 12 (2) ◽  
pp. 133 ◽  
Author(s):  
David Sanders

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