The Transformation of the Avant-Garde: The New York Art World, 1940-1985

1988 ◽  
Vol 17 (2) ◽  
pp. 221
Author(s):  
Rosanne Martorella ◽  
Diana Crane
Keyword(s):  
New York ◽  
2021 ◽  
Vol 10 (1) ◽  
Author(s):  
Sofia Schartner ◽  
Fran Bidwell

The most disruptive sculpture that broke the art world and the notion of art itself; the notorious Fountain, by Marcel Duchamp changed art history forever. Since the anonymous submission to the salon of independent artists in New York 1917, art lovers have never been able to come to a consensus about the piece. Debates and disputes polarized the opinion of the public. As a result, the name Duchamp had become synonymous with the term Readymade, Dada and the avant-garde. Absurdly, sufficient evidence suggests that the French artist Duchamp was not the artist behind Fountain. The female Dada poet and German American contemporary artist, Baroness Elsa von Freytag Loringhoven, was the mastermind behind it. 


1988 ◽  
Vol 75 (2) ◽  
pp. 654
Author(s):  
Casey Blake ◽  
Diana Crane
Keyword(s):  
New York ◽  

2015 ◽  
Vol 1 ◽  
Author(s):  
Stephanie Sparling Williams

Eight years before the art world would become meaningfully integrated with the exhibits of David Hammons and Adrian Piper, and ten years before Coco Fusco and Gómez-Peña’s controversial performance Two Undiscovered Amerindians, American artist Lorraine O’Grady (born 1934 in Boston) staged a series of alien invasions on New York art spaces as the now notorious Mlle Bourgeoise Noire (Miss Black Middle-Class). The first time this persona appeared was at Just Above Midtown (JAM) during one of O’Grady’s first public performances in 1980. Dressed in an extravagant debutante-style gown made with one hundred and eighty pairs of white gloves, O’Grady shouted at her predominantly black audience as she ceremoniously whipped herself with a cat-o’-nine-tails spiked with white chrysanthemums:


Social Forces ◽  
1988 ◽  
Vol 67 (1) ◽  
pp. 276
Author(s):  
Remi Clignet ◽  
Diana Crane
Keyword(s):  
New York ◽  

1989 ◽  
Vol 94 (1) ◽  
pp. 234
Author(s):  
Thomas Bender ◽  
Diana Crane
Keyword(s):  
New York ◽  

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