Honoring the Civil War Dead: Commemoration and the Problem of Reconciliation

2006 ◽  
Vol 72 (3) ◽  
pp. 685
Author(s):  
Susan-Mary Grant ◽  
John R. Neff
Keyword(s):  
Author(s):  
Ian Finseth

This chapter focuses on how witneᶊes to Civil War death made sense of their traumatic experience. The ethical challenge was one of recognition: to see and know the often-anonymous dead for who and what they were. Yet the dead were invariably integrated into familiar frameworks of meaning and into the conventions of aesthetics and rhetoric. Drawing on insights from phenomenology, pragmatism, Freudian psychology, and affect theory, the chapter shows that the psychological proceᶊes of abstraction and typification underlay a social logic of necrophilic dependency that both thrived on the dead and yet resisted their complex individuality. This problem is then connected to a long-standing cultural and historical melancholia whereby the Civil War dead have been internalized and eternalized as representational artifacts within a society that remains divided and ambivalent over the meaning of the war.


2006 ◽  
Vol 70 (4) ◽  
pp. 995-1009 ◽  
Author(s):  
Drew Gilpin Faust
Keyword(s):  

Author(s):  
Ian Finseth

In returning to the Civil War, postbellum American writers depended on the literary conventions and mythic structures of meaning by which a vast and violent history could be incorporated into fictional narrative. The result was a struggle between “romantic” and “realist” patterns of meaning that reflected the existential anxieties of American modernity: the sense of epistemological limitation and the dread of ontological purposeleᶊneᶊ. In the former, the war prompts the expreᶊion of nostalgia for a pre-capitalist, premodern, and pre-secular world. In the latter, the war is linked to the rise of complex networks of information, technology, and economics, and seems to embody the disenchanted condition of modernity. The Civil War dead are central to both modes of representation, and yet they resist the systems of mediation by which they are turned into moral exempla, symbolic commodities, and icons of national identity.


Author(s):  
Ian Finseth

Tracing the Civil War dead’s representational afterlife acroᶊ an array of historical, visual, and literary documents from 1861 to 1914, this book shows that they played a central, complex, and paradoxical role in how Americans understood the “modernity” of the United States. Amid the turbulence of the postbellum era, the dead provided an illusion of coherence, intelligibility, and continuity in the national self, and yet they also focalized American society’s central philosophical and moral conflicts. Recirculated through the networks of information and meaning by which a culture understands and creates itself, they functioned, and continue to function, as a form of symbolic currency in a memorial economy linking the Civil War era to the present. Reconstructing the strategies by which postwar American society reimagined the Civil War dead, this book argues that a strain of critical thought was alert to this necropolitical dynamic from the very years of the war itself.


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