“The American Outlaws Are Our People”: Fox Sports and the Branded Ambivalence of an American Soccer Fan at the 2019 FIFA Women’s World Cup

Drawing on fan studies, sports media studies, media industries studies, and participant observation of the American Outlaws, this essay analyzes specific aspects of the 2019 FIFA Women’s World Cup as televised by Fox Sports in the wider context of soccer’s evolving place within the American sports media marketplace. American media companies have increasingly positioned soccer as an upscale sport in the U.S. In addition to representing an affluent and cosmopolitan taste culture, the representation of the American Outlaws as part of Fox Sports’ programming and branding flattened the frictions of class, national identity, politics, and race that shaped American soccer discourse in the summer of 2019. This essay explores this flattening and the underlying tensions between televising a tournament based in American national identity that allows for a more mass audience appeal and the more niche-based framing of soccer—including the progressive politics of women’s soccer—in U.S. sports media.

Performing Political Persuasion in the United States in the Early Years of the Republic

Theater productions were born out of a paradox in the United States of the Revolutionary War and shortly afterwards. While the nation’s dominant ideology was anti-theatrical, theater often served a nationalist agenda, co-defining the new American nation and its nascent identities – such were, for example, productions of Joseph Addison’s Cato at Valley Forge in 1778 and William Dunlap’s André at the New Park in New York in 1798. These theater events empowered the audience to publicly perform their national identity as Americans and exercise their republican fervor. Similarly, a production of Bunker-Hill by J. D. Burk at the Haymarket in Boston in 1797 was crucial in helping define the social and political identities of its audiences, who were motivated to attend the performances as an expression of their partisan preferences. This article shows that literary, theatrical and social practices served to constitute performatively the early American national identity.

Race, Racial Negativity, and Competing Conceptions of American National Identity

This study explores differences among African Americans, Latinos, and whites regarding which attributes are most important to being truly American and how these competing conceptions relate to an individual’s level of racial animus toward African Americans. Using nationally representative survey data, we first find that Americans of different races vary across six different components of national identity and do so in ways consistent with theorizing on symbolic racism and inter-group conflict. Specifically, Americans place more importance on those components shared with indivduals of the same race. We then analyze how these differing beliefs about national identity influence racial animus. Here, we find robust evidence that individuals who prioritize the ascriptive, exclusive elements of national identity are more racist, while individuals who embrace its most inclusive element are less so. Finally, we reveal that the relationship between conceptions of national identity and racism is moderated substantially by race, and this robust relationship for whites and Latinos is virtually identical.

A Tornado Hitting the Homeland: Disturbing American Foundational Myths in Bharati Mukherjee’s Jasmine

Historically, the United States has always been a country of immigration. Yet, in light of recent political events, a form of nativism and sedentarism is re-emerging that seeks to preserve what is generally perceived as essentially American: an ethnically white and male identity that has its origins in the foundational myths of the pastoral, the frontier, and the West. The American Midwest is where the allegedly “real” America lies: it is what Anthony D. Smith has termed an 2ethnoscape”: a landscape imbued with historical and cultural meaning that has come to represent true “Americanness”. In her 1989 novel Jasmine, Bharati Mukherjee uses the figure of Jasmine, an undocumented female immigrant from India, to disrupt this traditional trope of “the West” as the perceived location of American cultural identity. She liberates the land from its national, historical, and ethnic inscriptions by subverting the very foundational myths of the pastoral, the frontier, manifest destiny, virgin land, and the melting-pot, that are so crucial to the justification of this exclusive as well as exclusionary identity… This article analyzes the processes and mechanisms through which Mukherjee liberates the landscape: Firstly, she satirizes the ideal of the American pastoral and exposes the assumption of a stable, uniquely American landscape as purely imaginative. She then subverts the notion of the global city as the ideal location of immigrants, where “the other” can be safely contained outside the homeland and instead makes the Midwest ethnoscape the space where her protagonist uproots American national identity. Through her presence in the American heartland, Jasmine disturbs and challenges naturalized notions of America and constructs a new homeland that is open for all immigrants following her. Mukherjee thus shifts the perspective away from seeing the American homeland as a pre-existing place in need of defense, and proposes a fluid understanding of home that has acquired new relevance in light of recent political events.

Prologue

This prologue surveys the key political challenges, debates, and ideologies that animated American political life following the creation of the United States. It also gestures to the emerging political purposes of music within this context. It distinguishes Federalists from Republicans, explains their conflicting visions, and overviews the logic Federalists used to justify their desire for social control and their insistence on social order and hierarchy as preconditions for freedom and liberty. The prologue similarly outlines the social context of early American music, especially its connections to religion, morality, science, and European standards of excellence. Finally, it highlights music’s perceived capacity to help define the terms of a new, uniquely American national identity.