The Poetics of Queering Translation in Ezra Pound’s Homage to Sextus Propertius

2021 ◽  
pp. 105-118
Author(s):  
Christian Bancroft
Keyword(s):  
2018 ◽  
Vol 2 (1) ◽  
pp. 89-98
Author(s):  
João Angelo Oliva Neto
Keyword(s):  

This essay intends to stablish the myth of Aeneas as the reason of some dificulty that the elegiacs found to touch their very theme-love, as seen in the work of Sextus Propertius. Considering that his leaving Dido behind signifies the overcoming of Love’s vulnerability in the Roman civilization, it’s shown that once for all the higher designs of Jupiter are preferable and more important even when Love may come from a goddess, from so near a person to Aeneas as his mother Venus. Then it's shown that there’s a necessary link between the elegiac mode and peace as a atheme and as a manner of opposing to the epic war-like subjects. Naive as it may be, Love belongs to the divine sphere in which everything alive is preserved; this divinity, that the Romans received from the Greeks. Is what is most cared to by the elegiacs, in the person and figure of Venus, mother of Julia race.


2008 ◽  
Vol 102 (1) ◽  
pp. 78-79
Author(s):  
Micah Meyers
Keyword(s):  

1975 ◽  
Vol 16 (4) ◽  
pp. 452
Author(s):  
Vincent E. Miller
Keyword(s):  

1998 ◽  
Vol 88 ◽  
pp. 37-55
Author(s):  
Michael Comber

In situations in which understanding is disrupted or made difficult, the conditions of all understanding emerge with the greatest clarity. Thus the linguistic process by means of which a conversation in two languages is made possible through translation is especially informative. (Gadamer)This article was prompted by a reading of Pound'sHomage to Sextus Propertius, and, in particular, by a basic question: why might the argumentative, edgy poet Pound have been drawn to Propertius? What might he have seen in him? Some of the attraction, no doubt, lay in Propertius' slightly marginal status as a Classical author, part of the main tradition but on the edge. But it does not seem to have been the romantically agonized version of Propertius that Pound saw. Nor the merely clever, witty, light and playful Propertius – though he saw more of the second figure than the first.


Maecenas ◽  
2019 ◽  
pp. 166-207
Author(s):  
Peter Mountford
Keyword(s):  

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