scholarly journals Writing the Colony: Walter Edward Gudgeon in the Cook Islands, 1898-1909

2021 ◽  
Author(s):  
◽  
Graeme Whimp

<p>Recent decades have witnessed a number of challenges from a variety of perspectives to long-standing depictions of the processes and relationships of colonisation. In particular, questions have been raised about its supposedly binary nature, the internal coherence of the elements of coloniser and colonised, and the stability of both its institutions and its ideology. Framed as an exercise in an interdisciplinary Pacific Studies, this thesis draws on those perspectives to provide insights into one particular colonial experience and to examine the extent to which they are borne out by the representations appearing in the writings of a New Zealand colonial administrator, Walter Edward Gudgeon, in the Cook Islands. To that end I have assembled a text comprising his major personal and official documents; provided some background on Gudgeon himself, the intellectual currents of the time, and the Cook Islands; represented as accurately as I could the representations appearing in his writing; read that writing as far as possible in terms of the text itself; and arrived at a number of conclusions from that reading. I have also considered the contribution such a text-based approach may offer to a Pacific Studies which aspires to be interdisciplinary. I conclude that my reading of the text supports the more recent perspectives on the colonial project by revealing in Gudgeon a number of contradictions, ambiguities, anxieties, uncertainties, and fears that do not appear in existing accounts of the Cook Islands colonial experience and justify a re-examination of that whole experience. Finally, I suggest that the validity of my approach is supported by those results and that such approaches provide one vehicle for the pursuit of an interdisciplinary Pacific Studies.</p>

2021 ◽  
Author(s):  
◽  
Graeme Whimp

<p>Recent decades have witnessed a number of challenges from a variety of perspectives to long-standing depictions of the processes and relationships of colonisation. In particular, questions have been raised about its supposedly binary nature, the internal coherence of the elements of coloniser and colonised, and the stability of both its institutions and its ideology. Framed as an exercise in an interdisciplinary Pacific Studies, this thesis draws on those perspectives to provide insights into one particular colonial experience and to examine the extent to which they are borne out by the representations appearing in the writings of a New Zealand colonial administrator, Walter Edward Gudgeon, in the Cook Islands. To that end I have assembled a text comprising his major personal and official documents; provided some background on Gudgeon himself, the intellectual currents of the time, and the Cook Islands; represented as accurately as I could the representations appearing in his writing; read that writing as far as possible in terms of the text itself; and arrived at a number of conclusions from that reading. I have also considered the contribution such a text-based approach may offer to a Pacific Studies which aspires to be interdisciplinary. I conclude that my reading of the text supports the more recent perspectives on the colonial project by revealing in Gudgeon a number of contradictions, ambiguities, anxieties, uncertainties, and fears that do not appear in existing accounts of the Cook Islands colonial experience and justify a re-examination of that whole experience. Finally, I suggest that the validity of my approach is supported by those results and that such approaches provide one vehicle for the pursuit of an interdisciplinary Pacific Studies.</p>


Author(s):  
Oli Wilson

This chapter explores how the New Zealand popular music artist Tiki Taane subverts dominant representational practices concerning New Zealand cultural identity by juxtaposing musical ensembles, one a ‘colonial’ orchestra, the other a distinctively Māori (indigenous New Zealand) kapa haka performance group, in his With Strings Attached: Alive & Orchestrated album and television documentary, released in 2014. Through this collaboration, Tiki reframes the colonial experience as an amalgam of reappropriated cultural signifiers that enraptures those that identify with colonization and colonizing experiences, and in doing so, expresses a form of authorial agency. The context of Tiki’s subversive approach is contextualized by examining postcolonial representational practices surrounding Māori culture and orchestral hybrids in the western art music tradition, and through a discussion about the ways the performance practice called kapa haka is represented through existing scholarly studies of Māori music.


2015 ◽  
Vol 17 (4) ◽  
pp. 109-157 ◽  
Author(s):  
Thomas K. Robb ◽  
David James Gill

This article explains the origins of the Australia–New Zealand–United States (ANZUS) Treaty by highlighting U.S. ambitions in the Pacific region after World War II. Three clarifications to the historiography merit attention. First, an alliance with Australia and New Zealand reflected the pursuit of U.S. interests rather than the skill of antipodean diplomacy. Despite initial reservations in Washington, geostrategic anxiety and economic ambition ultimately spurred cooperation. The U.S. government's eventual recourse to coercive diplomacy against the other ANZUS members, and the exclusion of Britain from the alliance, substantiate claims of self-interest. Second, the historiography neglects the economic rationale underlying the U.S. commitment to Pacific security. Regional cooperation ensured the revival of Japan, the avoidance of discriminatory trade policies, and the stability of the Bretton Woods monetary system. Third, scholars have unduly played down and misunderstood the concept of race. U.S. foreign policy elites invoked ideas about a “White Man's Club” in Asia to obscure the pursuit of U.S. interests in the region and to ensure British exclusion from the treaty.


2020 ◽  
Vol 51 (2) ◽  
pp. 193
Author(s):  
Mark Bennett

"A document is put before us. Does it or does it not create a trust?" This article considers the illusory trust doctrine (ITD) and claims that although the ITD has been criticised as doctrinally unfounded and therefore based in substantive, non-legal reasons rather than pre-existing law, there are formal reasons of trusts law to support it. It begins by considering Atiyah and Summers' concepts of form and substance, and then examines how they apply in the context of equity (in general), and then trusts law (in particular). It then briefly considers a number of recent decisions on the ITD: the four cases constituting the Clayton v Clayton litigation in New Zealand, Pugachev and the Cook Islands Court of Appeal and Privy Council decisions in Webb v Webb. Finally, it analyses these ITD decisions using the form and substance distinction, concluding that it is arguable that the ITD is grounded in principles of established trust law, as opposed to purely substantive reasoning.


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