scholarly journals The Yakut Round Dance ‘ohuokhai’ in the Soviet Literature of the 1950-1980s

Manuscript ◽  
2021 ◽  
pp. 399-405
Author(s):  
Aleksandra Dmitrievna Khaltanova ◽  
Author(s):  
Polly Jones

A major late Soviet initiative, the ‘Fiery Revolutionaries’ (Plamennye revoliutsionery) series, was launched to rekindle popular enthusiasm for the revolution, eventually giving rise to over 150 biographies and historical novels authored by many key post-Stalinist writers. What new meanings did revolution take on as it was reimagined by writers including dissidents, leading historians, and popular historical novelists? How did their millions of readers engage with these highly varied texts? To what extent does this Brezhnev-era publishing phenomenon challenge the notion of late socialism as a time of ‘stagnation’, and how does it confirm it? Through exploring the complex processes of writing, editing, censorship, and reading of late Soviet literature, Revolution Rekindled highlights the dynamic negotiations that continued within Soviet culture well past the apparent turning point of 1968 through to the late Gorbachev era. It also complicates the opposition between ‘official’ and underground post-Stalinist culture by showing how Soviet writers and readers engaged with both, as they sought answers to key questions of revolutionary history, ethics, and ideology: it thus reveals the enormous breadth and vitality of the ‘historical turn’ amongst the late Soviet population. Revolution Rekindled is the first archival, oral history, and literary study of this unique late socialist publishing experiment, from its beginnings in the early 1960s to its collapse in the early 1990s. It draws on a wide range of previously untapped archives, uses in-depth interviews with Brezhnev-era writers, editors, and publishers, and assesses the generic and stylistic innovations within the series’ biographies and novels.


Ethnomusic ◽  
2018 ◽  
Vol 14 (1) ◽  
pp. 74-86
Author(s):  
Nastassia Danilovich ◽  
Keyword(s):  

The article considers a calendar-song tradition of Middle Shchara – an ethnocultural area, located at the crossborder region of the Western and Central Polesye, Belarusian Ponemon’e and Central Belarus. Ethnomusicological field research recordings of the Belarusian State Academy of Music to Lyahovichskij (1982 – headed by V. Soltan, 1993 – headed by L. Kostyukovets), Ivatsevichi (2004 – head by T. Berkowitz), Baranovichi (2015 – headed by L. Barankiewicz) districts, Brest region, were mainly used for typological research. The correspondence were found in the winter repertoire of Middle Shchara between the existence of the old Kaliada tunes as well as clearly defined Kaliada game type “Goat” tunes. Notably children's round dance-games are used as Kaliada (Christmas) and Spring games. Valachobny tunes were used not only as a part of Vyalikdzien (Easter) greetings but also as general Spring and St. George's tunes. The existence of special “Yurovy” (St. George?s Day) round dance tune were discovered in the Middle Shchara locus. The special unique performing manner of local midsummer (Kupala) tunes were elaborated. The notable tinge of style of this region are Stippling fixations and variety of reaping tunes with interweaving manifestations song styles of Polesye and Ponemon’e. The Middle Shchara autumn repertoire, is elaborated as of notable accordance to the time of harvesting of flax songs of love or family domestic subjects. Peculiarities of the calendar-song tradition of Middle Shchara described as pertaining of the ethnoregional borderland, which is manifested in combination of attributes not only of Polesye (Western, Central and even the East) and Ponemon’e, but also the Central Belarusian song areals.


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