scholarly journals Asymmetric roentgenography of the vocal chords

1960 ◽  
Vol 53 (6) ◽  
pp. 426-432 ◽  
Author(s):  
Akos Kovacs
Keyword(s):  
1914 ◽  
Vol 110 (14) ◽  
pp. 299-300
Author(s):  
Jacques Boyer
Keyword(s):  

1894 ◽  
Vol 37 (956supp) ◽  
pp. 15280-15281
Author(s):  
H. Holbrook Curtis
Keyword(s):  

2004 ◽  
Vol 2004.6 (0) ◽  
pp. 123-124
Author(s):  
Satoshi HORIHATA ◽  
Megumi TAMENAMI ◽  
Tetsuo MIYAKE ◽  
Shunsuke ISHIMITU

Author(s):  
Milan Jicinsky ◽  
Jan Mares ◽  
Ludmila Verespejova ◽  
Martin Chovanec

1957 ◽  
Vol 20 (1) ◽  
pp. 217-229 ◽  
Author(s):  
E.D. Edwards

Music has its origin in Nature, a fact which is recognized by the Chinese. Music may be conscious (men) or unconscious (animals, storm, etc.). Vocal imitation preceded instrumental, which may have originated in the limitations of the human vocal chords.Speech is communication between man and man, between mind and mind; music is communication between man and Nature, the gods, the spirits. Ancient music was no more than the sounds of Nature combined into some sort of system. As we see in this work, vocal imitation of the sounds of Nature came before instrumental music. Learners of whistling were numerous when Shun ‘developed music and invented the lute’.


1945 ◽  
Vol 86 (1234) ◽  
pp. 375
Keyword(s):  

1960 ◽  
Vol Original Series, Volume 53 (6) ◽  
pp. 426-432
Author(s):  
A. Kovacs
Keyword(s):  

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