Michael Gill, The British Moralists on Human Nature and the Birth of Secular Ethics, Cambridge: Cambridge University Press, 2006. 359pp, $96 hb. ISBN: 978-0521852463.

2008 ◽  
Vol 6 (2) ◽  
pp. 209-217 ◽  
Author(s):  
J. B. Schneewind
2018 ◽  
Vol 48 (1) ◽  
pp. 129-141
Author(s):  
Anders Kraal

AbstractJames Harris’s new Hume biography offers, among other things, ‘a series of conjectures as to what Hume’s intentions were in writing in the particular ways that he did about human nature, politics, economics, history, and religion’. The biography is particularly novel with regard to Hume’s intentions when writing about religion, which, Harris argues (in opposition to recent developments in Hume scholarship), were rather benign. Harris fails to appreciate the full extent of the difficulties attaching to his series of conjectures, however.


Author(s):  
Thomas Edward MacGrath

One of the questions that many people contemplate in their lifetime is the idea of human nature. In this essay I will seek to examine and compare the idea of human nature in the minds of Christian humanists during the Renaissance to that of late Medieval Christian mystics. The Oration on the Dignity of Man, written by Giovanni Pico della Mirandola (Pico) provides an insight into the mind of a Renaissance humanist, while The Imitation of Christ, written by Thomas à Kempis illustrates the thought process that was characteristic of a late Medieval Christian mystic. Pico believed that humans are a great miracle and it is within their nature and capabilities to become something great in the world, something just below the level of God.[1] à Kempis held the belief that human nature, like the idea found in Genesis, was corrupted by the fall of man in the Garden of Eden. It can be found in his writings that he believed that human nature is something that is detrimental to the individual and should be controlled by calling on the grace of God.[2] The different points of view found in the writing of Pico and à Kempis can be traced to the sources of their inspiration. In writing The Imitation of Christ, à Kempis drew his inspiration only from the Bible. Pico, like many other Renaissance humanists, looked for truth about human nature not only in the Bible but also by studying other classical works such as the ancient Greeks and Arabs. [1] Giovanni Pico della Mirandola, Oration on the Dignity of Man (New York: Cambridge University Press, 2012). [2] Thomas à Kempis, The Imitation of Christ (Chicago: Moody Press, 1958).


Sign in / Sign up

Export Citation Format

Share Document