K. J. Donnelly, British Film Music and Film Musicals (Basingstoke and New York: Palgrave Macmillan, 2007), pp. vii+222, ISBN 978 1 4038 9673 2 (hb), £55.

2008 ◽  
Vol 5 (1) ◽  
pp. 183-185
Author(s):  
Jeffrey Richards
Keyword(s):  
New York ◽  
2020 ◽  
pp. 296-310
Author(s):  
Steven C. Smith

Today, the performance of film music is a staple of symphony concert programming. In 1943, it was an anomaly. That year, Steiner was invited to conduct the New York Philharmonic for a potential audience of twenty thousand at Lewisohn Stadium. But for Max, the concert proved a humiliating disaster, due to the orchestra’s open hostility toward a “Hollywood” composer, and the addition to the program of 27-year-old Frank Sinatra. More teen idol than respected singer at the time, Sinatra inspired Beatles-like screaming from his fans throughout the concert, upstaging Steiner. A series of personal calamities followed: the death of Max’s beloved father, a health crisis of his own, and seemingly insurmountable debt. Again, music was Steiner’s salvation. The 1944 film Since You Went Away—his last collaboration with Selznick—earned Max a third Oscar. But shortly after its release, Steiner was devastated by news that Louise wanted a divorce.


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