Sucker

2020 ◽  
pp. 296-310
Author(s):  
Steven C. Smith
Keyword(s):  
New York ◽  
Film Music ◽  
Health Crisis ◽  
New York Philharmonic ◽  
Concert Programming ◽  
Frank Sinatra

Today, the performance of film music is a staple of symphony concert programming. In 1943, it was an anomaly. That year, Steiner was invited to conduct the New York Philharmonic for a potential audience of twenty thousand at Lewisohn Stadium. But for Max, the concert proved a humiliating disaster, due to the orchestra’s open hostility toward a “Hollywood” composer, and the addition to the program of 27-year-old Frank Sinatra. More teen idol than respected singer at the time, Sinatra inspired Beatles-like screaming from his fans throughout the concert, upstaging Steiner. A series of personal calamities followed: the death of Max’s beloved father, a health crisis of his own, and seemingly insurmountable debt. Again, music was Steiner’s salvation. The 1944 film Since You Went Away—his last collaboration with Selznick—earned Max a third Oscar. But shortly after its release, Steiner was devastated by news that Louise wanted a divorce.

scholarly journals COVID-19 in obstetrics 2020: the experience at a New York City medical center

2020 ◽  
Vol 48 (9) ◽  
pp. 892-899
Author(s):  
Ashlesha K. Dayal ◽  
Armin S. Razavi ◽  
Amir K. Jaffer ◽  
Nishant Prasad ◽  
Daniel W. Skupski
Keyword(s):  
New York ◽  
Medical Center ◽  
Severe Disease ◽  
Infection Rates ◽  
Health Crisis ◽  
The Public ◽  
Public Health Crisis ◽  
Asymptomatic Carriage ◽  
Global Spread ◽  
Workforce Flexibility

AbstractThe global spread of the SARS-CoV-2 virus during the early months of 2020 was rapid and exposed vulnerabilities in health systems throughout the world. Obstetric SARS-CoV-2 disease was discovered to be largely asymptomatic carriage but included a small rate of severe disease with rapid decompensation in otherwise healthy women. Higher rates of hospitalization, Intensive Care Unit (ICU) admission and intubation, along with higher infection rates in minority and disadvantaged populations have been documented across regions. The operational gymnastics that occurred daily during the Covid-19 emergency needed to be translated to the obstetrics realm, both inpatient and ambulatory. Resources for adaptation to the public health crisis included workforce flexibility, frequent communication of operational and protocol changes for evaluation and management, and application of innovative ideas to meet the demand.

‘CONTACT!’: New York Philharmonic Orchestra, Milton Court Concert Hall, London

Tempo ◽  
2015 ◽  
Vol 69 (274) ◽  
pp. 64-65
Author(s):  
Tim Rutherford-Johnson
Keyword(s):  
New York ◽  
Chamber Music ◽  
Small Groups ◽  
Concert Hall ◽  
New York Philharmonic ◽  
The Uk

The New York Philharmonic Orchestra, under its Music Director Alan Gilbert, spent a week in residence at the Barbican Centre in April, giving four concerts and various other events. Among them was ‘CONTACT!’, a concert of chamber music performed by members of the NYPO in the Guildhall's Milton Court Concert Hall on 18 April 2015. There were five pieces for various small groups. Three were new to the UK, and I will focus on these.

scholarly journals Otelo do Folias D’arte: canções como enquadramento épico

Letras ◽  
2015 ◽  
pp. 135
Author(s):  
Célia Maria Arns de Miranda
Keyword(s):  
New York ◽  
Frank Sinatra ◽  
The Doors

No espetáculo Otelo, realizado pelo Grupo Folias D’Arte (2003-2004), a reflexão sobre o fazer teatral torna-se um procedimento imperativo. Marco Antonio Rodrigues (encenador), através da inserção das músicas “New York, New York ”(Frank Sinatra) e “The End” (The Doors), que desempenham uma função de enquadramento épico e de comentário crítico da ação, identifica o referente contemporâneo ao estabelecer o diálogo entre a cultura-fonte e a cultura-alvo.

scholarly journals NARASI LIRIS FOTOGRAFI JURNALISTIK PADA MASA PANDEMI COVID-19: STUDI KASUS PROYEK FOTOGRAFI “STILL LIVES” OLEH THE NEW YORK TIMES

2021 ◽  
Vol 4 (2) ◽  
pp. 113-124
Author(s):  
Aji Susanto Anom Purnomo ◽  
Novan Jemmi Andrea ◽  
Monica Revias Purwa Kusuma
Keyword(s):  
New York ◽  
Mass Media ◽  
Representation Theory ◽  
New York Times ◽  
Roland Barthes ◽  
Health Crisis ◽  
The New York Times ◽  
The Media ◽  
The Mass Media ◽  
Journalistic Practice

2020 is the year when the world is faced with a health crisis, namely the Covid-19 pandemic or also known as the Corona Virus. All aspects of life are affected by this crisis, the joints of humanity are faced with limitations. The mass media are intensively reporting various incidents regarding the Covid-19 pandemic. The stories are often accompanied by journalistic photos. One of the functions of photojournalism is to strengthen the story of what the media wants to convey. Journalistic photos during this pandemic usually feature scenes from medical activities, government policies and large narratives that are cold on empathetic human relations. However, different from most photojournalism in most mass media, The New York Times publishes "Still Lives" photography projects that are done by its photographers. The project presents a different narrative from this time of the pandemic. The “Still Lives” photography project is important because it presents journalistic photos that tell a domestic narrative that is close to the sides of universal humanity, namely the stories of the photographers' homes and families. This study aims to describe and interpret the “Still Lives” photography project as an alternative in creating a different narrative from photojournalism during the pandemic. This study used a descriptive qualitative research method based on phenomenology with Roland Barthes' main theory of semiotics and supported by journalistic photography theory and representation theory. The research results obtained a complete explanation and meaning of the “Still Lives” Project from The New York Times. The project according to the theory of photo journalistic is photo story based on personal experiences. From the analysis through the theory of semiotics from Roland Barthes and representation theory successfully obtained a result that basically projects “Still Lives” can be understood as a representation of the universal experience and feeling by mankind. Project “Still Lives” provides the representation of covid-19 pandemic through the mass media journalistic that show an alternative offer to journalistic practice to use lyrical narratives and personal experience in the story and more empathy in the mass publication of pandemic covid-19.

scholarly journals Ideologies of Black churches in New York City and the public health crisis of HIV among Black men who have sex with men

2011 ◽  
Vol 6 (sup2) ◽  
pp. S227-S242 ◽  
Author(s):  
Patrick A. Wilson ◽  
Natalie M. Wittlin ◽  
Miguel Muñoz-Laboy ◽  
Richard Parker
Keyword(s):  
Public Health ◽  
New York ◽  
New York City ◽  
Black Men ◽  
York City ◽  
Black Churches ◽  
Health Crisis ◽  
The Public ◽  
Public Health Crisis ◽  
Sex With Men
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