Extension du domaine de l'intime : Paul Durcan et les tableaux de la National Gallery of Ireland

2006 ◽  
Vol 31 (1) ◽  
pp. 201-214
Author(s):  
Anne Goarzin
Keyword(s):  
Author(s):  
Imre Pozsgai ◽  
Klara Erdöhalmi-Torok

The paintings by the great Hungarian master Mihaly Munkacsy (1844-1900) made in an 8-9 years period of his activity are deteriorating. The most conspicuous sign of the deterioration is an intensive darkening. We have made an attempt by electron beam microanalysis to clarify the causes of the darkening. The importance of a study like this is increased by the fact that a similar darkening can be observed on the paintings by Munkacsy’s contemporaries e.g Courbet and Makart. A thick brown mass the so called bitumen used by Munkacsy for grounding and also as a paint is believed by the art historians to cause the darkening.For this study, paint specimens were taken from the following paintings: “Studio”, “Farewell” and the “Portrait of the Master’s Wife”, all of them are the property of the Hungarian National Gallery. The paint samples were embedded in a polyester resin “Poly-Pol PS-230” and after grinding and polishing their cross section was used for x-ray mapping.


1966 ◽  
Vol 48 (1) ◽  
pp. 115
Author(s):  
Dwight C. Miller ◽  
A. E. Popham ◽  
K. M. Fenwick

Nature ◽  
1949 ◽  
Vol 164 (4171) ◽  
pp. 601-603 ◽  
Author(s):  
F. I. G. RAWLINS ◽  
A. E. A. WERNER
Keyword(s):  

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