Convergence Liberal Arts Education to Strengthen Character Competency at University: Focused on ‘Classic Reading and Writing’ Course

2020 ◽  
Vol 40 (2) ◽  
pp. 355-382
Author(s):  
Young-Min Park
2020 ◽  
Author(s):  
Vorobyova Mariya ◽  
Kochukhova Elena

The article is devoted to the problem of organizing non-hierarchical communication in the university classroom. The authors suggest that some teaching methods can bring the gap in communication between teacher and student. The authors describe and analyze their experience with the use of reading and writing methods adopted in the liberal arts education system for teaching the philosophy to non-humanities majors at a Russian university. This case is significant because it reflects the five-year experience of using reading and writing methods in isolation from the entire humanitarian system. This isolation affects the choice of methods and their transformation. The article outlines the main difficulties that instructors face and the limitations of these methods. Difficulties in assessing the effectiveness of the considered methods are revealed. An analysis of student feedback on the seminars shows that these methods help bridge the gap in communication between teacher and student and create a supportive environment conducive to more effective work on philosophical texts. Keywords: liberal arts education, reading and writing, philosophy education, communication gap


2021 ◽  
Vol 15 (4) ◽  
pp. 117-135
Author(s):  
Seong yoon Cho

The study asked first and second-year students enrolled in a liberal arts course at A University to write in a Friendly and Emotional Expression Writing course. It then analyzed the feedback patterns between their peers, and examined the results of evaluating their feedback factors. Finally, it drew some implications for university liberal arts writing education. Peer feedback on friendly and emotional expression writing can be divided into four higher areas: total subject, composition, expression, and reader, with a total of nine detailed types: purpose, entire text, paragraph, sentence, personality, error, attractiveness, understanding, and realism. Among these factors, peer feedback in the independent area was the most common, especially when looking at sub-detail types, where feedback on ‘factiveness’ (do you mean “attractivness”?) was the most common. However, all peer feedback types are important factors when it comes to the humanities and in culture writing. To be sure, friendly and emotional expression writing is at the center of this field. These results allowed us to derive the following three implications: First, it is necessary to apply and practice social and emotional expression writing in university writing education by developing and expanding it in a connective manner. Second, when writing in a friendly and emotionally expressive manner, it is necessary to instruct the reader to pay particular attention to the “reader area,” which is considered the most essential requirement, and to approach the reader in an honest way so that his or her writing can be easily understood. Third, peer feedback of friendly and emotional expression writing is basically diverse in terms of topics, composition, and the expressions (or level of expressiveness) needed to write. Thus, it is necessary to work in university liberal arts education to ensure that these requirements are well established.


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