When the Beat in Beat Studies is the Beat in Offbeat Comedy

2021 ◽  
pp. 257-268
Author(s):  
Amy L. Friedman

Amy Friedman discusses Beat comedy and its raw linguistic Anglo-American legacies in the then-burgeoning underground club scene and on television. She sketches ludic Beat voices from Kerouac to Kyger, connecting these to comedian such as the British Beyond the Fringe of the early 1960s, Monty Python, Lenny Bruce, George Carline, Richard Pryor, and Phyllis Diller. The essay includes sample online resources for classroom use.

Ingen spøk ◽  
2019 ◽  
pp. 55-74
Author(s):  
Kai Hanno Schwind

This chapter discusses different approaches to religious satire from the context of the Anglo-American cultural sphere by exploring various television comedies, such as The Vicar of Dibley, Father Ted and the work of Monty Python in the UK, and The Simpsons, South Park, Family Guy and Curb Your Enthusiasm in the United States. From stand-up jokes, cartoons and sitcoms about priests and men of faith to satires of the contemporary culture clash between Christians, Jews and Muslims, humour about religion in the United States, Britain and the pan- Scandinavian context operates from the same premise: identifying and negotiating the contradictions between our own Christian traditions and the challenges of religious pluralism and freedom of speech in an increasingly globalised world.


1991 ◽  
Vol 1 (1) ◽  
pp. 28-31 ◽  
Author(s):  
Eugene B. Cooper ◽  
Crystal S. Cooper

A fluency disorders prevention program for classroom use, designed to develop the feeling of fluency control in normally fluent preschool and primary grade children, is described. The program addresses the affective, behavioral, and cognitive aspects of fluency and features activities that not only develop the child’s fluency motor skills but also teach the language of fluency by developing the child’s metalinguistic skills.


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