AbstractThe New Materialisms constitute a rich field of critical inquiry that does not represent a unified approach; yet there is a general tendency to theorise objects by highlighting their agency, independence, and withdrawnness from human actors. Jane Bennett speaks of “thing power” in order to invoke the activities of “nonsubjects,” and she suggests to marginalise questions of human subjectivity and focus instead on the trajectories and propensities of material entities themselves. This essay takes issue with Bennett’s and other New Materialist thought, and it also offers a critical engagement with Bruno Latour’s notion of nonhuman agency. In his recent work, Latour has been concerned with the question of how we can tell our “common geostory.” Taking up his literary example (by Mark Twain) and adding one of my own (by William Faulkner), this essay argues that our understanding of the powers of rivers and other nonhuman agents remains rather limited if we attend primarily to the mechanics of storytelling in the way Latour does. Rather, it is the aesthetic and experiential registers of literary worlding that offer alternative venues for imagining nonhuman beings and our interactions with them in the era of the Anthropocene.
Theorising Things, Building Worlds: Why the New Materialisms Deserve Literary Imagination
