Novels such as Sherley Anne Williams’ Dessa Rose, as well as the focus of “‘Mammy Ain’t Nobody Name’: Power, Privilege, and the Bodying Forth of Resistance,” provoke dialogue with Wilson, Keckly, and Cooper in important ways. Exploring Williams’s engagement with previous legacies of resistance, Chapter 4 draws attention to her disruption of a “neoliberal problematic” via her distinct problematization of the mind-body split and associated tropes of mediation such as the “as-told-to” dynamic. Like Wilson, Williams interrogates the indecipherability of black rage within both interracial and intra-racial liberal matrices of privilege and authority; like Keckly, she destabilizes the “Mammy” figure and undercuts liberal models of interracial friendship; and like Cooper, Williams cultivates an insurgent politics of sound. Becoming together with Wilson, Keckly, and Cooper in the aforementioned ways, Williams’s fiction exhibits a comparable attentiveness to situating blackness beyond conventional registers of containment, intervening into Enlightenment-era discourses of knowledge and self.
Residential Segregation and Interracial Friendship in Schools
