Forest Walking, Meditation and Sore Feet: The Southern Buddhist Biographical Tradition of Ajahn Mun and His Followers

2021 ◽  
pp. 128-147
Author(s):  
Sarah Shaw
2015 ◽  
Vol 21 (1) ◽  
pp. 185-197
Author(s):  
Amandine Bonesso

Abstract The contribution examines the documentary Folle de Dieu (2008) and the play Marie de l'Incarnation ou La déraison d'amour (2009), Jean-Daniel Lafond’s adaptations of Marie de l’Incarnation’s (1599-1672) autobiographical texts. The study demonstrates that the two works, the last in a long biographical tradition, construe the nun’s life as a humanitarian model through the theme of love. In this manner, the film-maker encourages the current society not to give way to the bellicose violence of the last century and to rethink the future as a possible happiness.


Author(s):  
Christina Shuttleworth Kraus

The ancient term commentarius designates works ranging from official records to collections of anecdotes to historical narrative. The ancient historiographical commentarius tended to be represented as an emperor in search of new clothes, as it were – clothing that would provide the copia, ornatus, and completeness appropriate to a work of artistic prose. The three ancient critics presented testify to the frustrations inherent in evaluating a Caesarian commentarius. Additionally, some ways in which the ancient reactions to the Commentarii are reflected in modern criticism (primarily of the Bellum Gallicum) are covered. The chapter then demonstrates that what Eden (1962:74) calls the ‘ambivalent status’ of the commentarius does fit closely with the biographical tradition concerning Caesar’s habits, dress, and demeanor; and further, suggests that same biographical tradition can be read as a complex of metaphors. Caesar’s particular brand of commentarius may be just the kind of oratio this character deserved.


2020 ◽  
pp. 74-109
Author(s):  
Tazuko A. van Berkel

Throughout antiquity, Protagoras’ Man Measure statement has been understood predominantly as espousing an epistemological doctrine, i.e., a doctrine about the conditions of truth and knowledge. “The Ethical Life of a Fragment: Three Readings of Protagoras’ Man Measure Statement” adduces three ancient approaches to the Man Measure statement that evince an ethical outlook on the statement: the ethical relativist interpretation set out by Plato in his Theaetetus; a normative-quantitative interpretation of “measure,” found in allusions to the Man Measure statement; an axiological interpretation, featured in the biographical tradition around Protagoras and in Aristotle’s implicit polemics. The three ethical readings show the manifold ways in which an ancient source author interacts with a lost corpus author. Verbatim quotations are only one form of text reuse; paraphrases, allusions, imitations, and biographizing statements—although undertheorized in approaches to fragmentary authors—can be equally informative about early interpretations of Protagoras’ Man Measure statement.


2017 ◽  
Vol 06 (05) ◽  
Author(s):  
Ritu B Daga
Keyword(s):  

Mnemosyne ◽  
2011 ◽  
Vol 64 (4) ◽  
pp. 541-555
Author(s):  
Claudia Geißler

AbstractIn Ps.-Theocritus 20.13 the hetaira Eunica is portrayed as µµασι λοξ βλποισα. Although it is well known that the passage imitates Anacreon’s poem on the ‘Thracian filly’ (PMG 417.1), it has until now gone unnoticed that the pseudo-Theocritean Idyll displays compelling parallels with Heraclitus’ interpretation of Anacreon’s ‘Thracian filly’ as ‘hetaira’. While this is perhaps not sufficient to hypothesize an intertextual relationship between the two authors, it nonetheless seems certain that Ps.-Theocritus and Heraclitus drew on a common source documenting this exegesis of πλος. In addition the depictions of the βο&ugr;κλος as a singer and of Eunica as a ‘hetaira’, coupled with the verbal echoes of Anacreon’s and Sappho’s poems, seem to point to a source—yet to be identified—which made use of the literary-biographical tradition concerning Sappho.


Sign in / Sign up

Export Citation Format

Share Document