Responsive cohesion in the art and artfulness of urban design: some case studies in Helsinki

Author(s):  
Antony Radford ◽  
Tarkko Oksala
Keyword(s):  
Author(s):  
Rosa Danenberg ◽  
Michael Mehaffy ◽  
Sergio Porta ◽  
Peter Elmlund

2021 ◽  
pp. 1-33
Author(s):  
Maciej Motak ◽  
Magdalena Woźniczka

The article starts with the short discussion of two geometrical figures, i.e., octagon and ellipse, their genesis in architecture and urban design, and the examples of buildings whose plans were based upon them. Then, the selected octagonal and elliptical city squares are discussed: their genesis, context, layout, architecture surrounding the square, objects appearing in the square and, most specially, urban form and composition. The theory of architectural-landscape interiors has been applied to pinpoint the type of city squares by the assessing of the degree of openings in the square’s perimeter. The review consists of 22 case studies (9 octagonal and 13 elliptical) from the 15th to the 20th century. The last discussed case in each group, both atypical created in Krakow in the 20th century, are discussed even more thoroughly. The conclusions were presented first separately for octagonal and elliptical city squares and finally also for both groups in a comparative way.


2020 ◽  
Vol 9 (2) ◽  
pp. e020
Author(s):  
Illyani Ibrahim ◽  
Shireen Jahn Kassim ◽  
Alias Abdullah

This paper analyses the historical pre-Colonial configurations of a series of urban cores in Malay sites along the Straits of Melaka. The objective of this research is to identify the pattern and variations of each pre-Colonial royal urban core from the perspective of urban design principle such as “intimacy” and “walkability,” which can affect in a long term sustainable parameters such as the reduction of “urban heat island”. This traditional character is increasingly disappearing due to urbanisation. There is a difficulty to reconstruct the urban core of these case studies because of their past layouts’ degree of organic character, particularly in terms of randomness. This paper argues that such configurations reflect the degree of “intimacy,” which was ruptured during the Colonial eras. Patterns were identified using available maps and lithography related to the case studies. The findings indicate that the Malay royal urban core does obey the urban design principles of intimacy and walkability. The “intimacy indices” for a historical Malay city are as follow: distance from palace to mosque (170 metre), padang/open spaces (130 metre), settlement (310 metre), market (195 metre), and aristocrat houses (60 metre). This finding can be used to inform the baseline for the preparation of the Malay principles guidelines.


Author(s):  
A. C. Rosado ◽  
J. M. Aladro-Prieto ◽  
M. T. Pérez-Cano

Abstract. In the Mediterranean scenery of the south-western Iberian Peninsula, vineyards and wine-making have consistently been key pieces of the man-made cultural landscape, influencing urban design and even housing. This paper compares wine production influence in the cities of Borba, in Portuguese Alentejo, Jerez de la Frontera and Bollullos Par del Condado, in Spanish Andalusia, throughout the spheres of territorial organization, urban layout, presence of production buildings inside urban areas, and winemaker and wineworker housing. The study is based on architectonic surveys of building types: wineries, dwellings and houses with integrated wine production on both sides of the Guadiana River. The information gathered in surveys is complemented with data from historical documents, such as transaction records from the 16th to the 19th centuries. The research analyses cycles of prosperity for the three case studies – which are often coincident and related, within the frame of pre-industrial global trade – and the effects of those in winery and housing typologies. Across the studied area, vernacular winery types adhere to the same two categories, or typological lines, of building: the domestic winery and the autonomous building. Wine related architecture is still a key asset in these cities' material and cultural heritage, as it provides scale and uniqueness to the urban and rural ensembles, despite the fact that wine production has been removed from cities’ centres to outer industrial wineries. The memory of wine-induced prosperity is imprinted on the cities’ physical realities, giving meaning to their collective memories and proving to be an asset to future development.


2021 ◽  
Vol 26 (3) ◽  
pp. 317-326
Author(s):  
Maria Papadomanolaki

This article reflects on telematic soundwalking by initially considering the network as it is experienced in response to the COVID-19 pandemic. It uses learnings and writings about our networked lives (during COVID) to generate a framework in order to understand the artist’s pre-pandemic work; more specifically, in the context of a series of telematic soundwalking performances titled A Certain Geography, of which two case studies are presented here. The network is analysed through a diverse and cross-disciplinary selection of ideas and writings on networked cultures, experimental radio, listening, philosophy, anthropology and urban design. This cluster of diverse theoretical notions become important for the creation of a type of networked listening where the authorship of I often collapses into a polyphonic intimacy of voices and soundings affected by all that is taking place in between, including the distortions created by the materiality of technologies, the different layers of ecologies at stake, the words and voices of those who sound and listen remotely and site-specifically. It proposes an incomplete reception loop where the aspiration of walking on a planned trajectory is constantly contested and destabilised. The network becomes a porous space where the I constantly morphs into a convivial-collective action.


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