scholarly journals Racial Battle Fatigue, Epistemic Exploitation and Willful Ignorance

2021 ◽  
pp. 60-77
Author(s):  
Barbara Applebaum
2020 ◽  
Vol 14 (4) ◽  
pp. 285-292
Author(s):  
Sherry C. Wang ◽  
Rebecca R. Hubbard ◽  
Cristina Dorazio
Keyword(s):  

2021 ◽  
pp. 009579842110026
Author(s):  
Catherine C. Ragland Woods ◽  
Krista M. Chronister ◽  
Aleksandria Perez Grabow ◽  
William E. Woods ◽  
Kyndl Woodlee

Black students attending historically White institutions of higher education experience racism, racial microaggressions, racial stress, and consequent racial battle fatigue (RBF; Franklin et al., 2014). We examined Black counseling and clinical graduate students’ (BGS) experiences of psychological, physiological, and behavioral RBF across their roles as students in class, advisees, and supervisees and differences in RBF experiences by gender and race. Participants were 57 counseling and clinical graduate students who identified as Monoracial, Biracial, or Multiracial Black. One-way, repeated measures analysis of variance results showed that BGS experienced the highest levels of RBF in their student-in-class role, and those experiences differed for women and men. Results suggest that the RBF framework has utility for measuring and further understanding how BGS’ student role and learning contexts influence their postsecondary experiences and how institutions can develop better supports for this student population.


2005 ◽  
Vol 66 (4) ◽  
pp. 739-769
Author(s):  
Richard Clifford ◽  
Khaled Anatolios

[To provide order to the welter of metaphors employed in Christian soteriology, the authors study them within their underlying systems or “models.” The “prophetic” model, in which salvation is effected within history through human instruments, appears in Isaiah and Luke as well as in Irenaeus. In the “liturgical” model, the divine presence is safeguarded by sacrifices; it is found in Leviticus, the Letter to the Hebrews, and also in Athanasius. In the “sapiential” model, sin is willful ignorance and salvation illumination; it is found in Proverbs and John, and echoed in Augustine's soteriology.]


Author(s):  
Vasudevan M ◽  
Sangeeta Mehrolia ◽  
Subburaj Alagarsamy
Keyword(s):  

Neurology ◽  
2018 ◽  
Vol 91 (13) ◽  
pp. 625-626
Author(s):  
Don Krieger

1947 ◽  
Vol 8 (8) ◽  
pp. 436
Author(s):  
Robert Bossler
Keyword(s):  

2004 ◽  
Vol 33 (2) ◽  
pp. 36-50 ◽  
Author(s):  
KATHLEEN CHRISTISON

Despite an array of formulas for peace put forth during his administration, President Bush and his policy-making team have been almost totally uninterested in involving the United States in any serious effort to resolve the Palestinian-Israeli conflict. The quick demise of all peace initiatives——each of which succumbed to the administration's focus on terrorism rather than on Israel's occupation as the root of the conflict——is testimony to the Bush team's near total identification with Israel's interests. This article examines the Bush administration's bias toward Israel and the factors influencing that approach: Bush's own willful ignorance of the situation on the ground and lack of concern for Palestinian grievances, his apparent personal rapport with Ariel Sharon, and the strong domestic political pressures on him, including from the pro-Israel lobby, Congress, neoconservatives, and the fundamentalist Christian lobby. All these factors combine to make any U.S. pressures on Israel highly unlikely.


Author(s):  
Robert L. McLaughlin ◽  
Sally E. Parry

The American theater was not ignorant of the developments brought on by World War II, and actively addressed and debated timely, controversial topics for the duration of the war, including neutrality and isolationism, racism and genocide, and heroism and battle fatigue. Productions such as Watch on the Rhine (1941), The Moon is Down (1942), Tomorrow the World (1943), and A Bell for Adano (1944) encouraged public discussion of the war's impact on daily life and raised critical questions about the conflict well before other forms of popular media. American drama of the 1940s is frequently overlooked, but the plays performed during this eventful decade provide a picture of the rich and complex experience of living in the United States during the war years. McLaughlin and Parry's work fills a significant gap in the history of theater and popular culture, showing that American society was more divided and less idealistic than the received histories of the WWII home front and the entertainment industry recognize.


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