Citizen Kane

2004 ◽  
Keyword(s):  
2021 ◽  
pp. 63-84
Author(s):  
Garrett Stewart

Metacinematic moments in screen narrative regularly turn attention back toward film’s point of material origination—from story to the conditions of its technical mediation—without turning their back either on the plot or its cultural surround. This double slant of the screen story, both back toward medial operations and outward toward some thematic interface with its social setting, is what this chapter sets out to discriminate in its “technique\text/context” articulation. Revisiting moments of medial self-acknowledgment in films from Citizen Kane through Apocalypse Now to Blade Runner 2049 prepares terms for assessing a late installment in one of Hollywood’s ongoing CGI franchise blockbusters, Marvel’s Spiderman: Far from Home (2040). In that sci-fi plot both digital technique and context implode upon the developing narrative text in the irony of an international political deception perpetrated by Hollywood-schooled VFX (visual special effects) when deployed, not on some inset screen, but in real metropolitan space.


Narrative ◽  
2008 ◽  
Vol 16 (1) ◽  
pp. 29-45
Author(s):  
Tony E. Jackson
Keyword(s):  

1975 ◽  
Vol 9 (2) ◽  
pp. 32
Author(s):  
Robert L. Carringer
Keyword(s):  

1972 ◽  
Vol 12 (1) ◽  
pp. 69
Author(s):  
H. Wayne Schuth ◽  
Ronald Gottesman ◽  
Roy Huss ◽  
Birgitta Steene ◽  
Donald W. McCaffrey ◽  
...  
Keyword(s):  

1978 ◽  
Vol 3 (3) ◽  
pp. 417-421
Author(s):  
Seymour Chatman
Keyword(s):  

2015 ◽  
Vol 33 (1) ◽  
pp. 201-230
Author(s):  
Joel E. Black

On the afternoon of Friday April 20, 1883, attorney Kate Kane doused Judge James Mallory with a glass of water in a Milwaukee courtroom. Kane's frustrations were deep. That morning Mallory had reassigned one of her clients to another attorney, despite the fact that this client had specifically requested Kane. This time it was to Peter J. Somers, who had recently worked for Mallory's re-election. After the incident, Kane would announce, “Judge Mallory has been trying to drive me out of this court; he has continuously insulted and misused me, but I bore it.” “Today,” she explained, “I wanted to insult Judge Mallory just where he had insulted me—in open court.” She succeeded; Mallory was furious. Wiping the water from his brow, the irate judge shouted, “Arrest that woman,” and cited Kane for contempt of court. She was immediately apprehended and hauled off to the local jail, where she would stew for days. “I shall stay here for ten years before I pay that fine,” Kane vowed, defiantly. The incident, which imperiled Kane's legal career in Milwaukee, also reveals critical tensions in women's claims on full citizenship that were reflected in battles over professional membership, legal and sexual equality, and political inclusion.


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