ARTISTIC FEATURES OF CHALCHIK CHUNIZHEKOV'S PROSE WORKS

В статье анализируется прозаическое наследие Чалчика Анчиновича Чунижекова, одного из ярких представителей соцреалистической литературы Горного Алтая. Выдвигается гипотеза о том, что профессия журналиста наложила своеобразный отпечаток на творчество писателя - в его очерках присутствуют имена реальных людей, называются факты, цифры, что позволяет говорить о документальной основе прозы Ч. А. Чунижекова. Основное внимание в работе уделено автобиографической повести «Мундузак», ставшей своеобразной рефлексией писателя на факты его собственной биографии. Главный герой повести, с одной стороны, близкий автору, с другой - типичный представитель поколения новой интеллигенции, рожденной советской властью. Доказано, что произведения писателя - это художественное отражение исторической эпохи с опорой на факты, события, истории реальных людей, в том числе и на собственную биографию. The articl analyzes the prosaic heritage of Chalchik Anchinovich Chunizhekov, one of the brilliant representatives of socialist realist literature of Gorny Altai. It is hypothesized that the profession of a journalist left a peculiar imprint on the writer's work, influencing the fact that the basis of his prose is essays, which contain names of real people, facts, figures, which allows us to talk about the documentary basis of his prose. The main attention is paid to autobiographical story "Munduzak" which became a kind of reflection of the writer on the facts of his own biography. The main character of the story, on the one hand, is close to the author, on the other - a typical representative of the generation of new intelligentsia, born by the Soviet government. It is proved that the writer's works are an artistic reflection of a historical epoch based on facts, events and stories of real people, including the writer's own biography.

ARTISTIC FEATURES OF CHALCHIK CHUNIZHEKOV'S PROSE WORKS

В статье анализируется прозаическое наследие Чалчика Анчиновича Чунижекова, одного из ярких представителей соцреалистической литературы Горного Алтая. Выдвигается гипотеза о том, что профессия журналиста наложила своеобразный отпечаток на творчество писателя - в его очерках присутствуют имена реальных людей, называются факты, цифры, что позволяет говорить о документальной основе прозы Ч. А. Чунижекова. Основное внимание в работе уделено автобиографической повести «Мундузак», ставшей своеобразной рефлексией писателя на факты его собственной биографии. Главный герой повести, с одной стороны, близкий автору, с другой - типичный представитель поколения новой интеллигенции, рожденной советской властью. Доказано, что произведения писателя - это художественное отражение исторической эпохи с опорой на факты, события, истории реальных людей, в том числе и на собственную биографию. The articl analyzes the prosaic heritage of Chalchik Anchinovich Chunizhekov, one of the brilliant representatives of socialist realist literature of Gorny Altai. It is hypothesized that the profession of a journalist left a peculiar imprint on the writer's work, influencing the fact that the basis of his prose is essays, which contain names of real people, facts, figures, which allows us to talk about the documentary basis of his prose. The main attention is paid to autobiographical story "Munduzak" which became a kind of reflection of the writer on the facts of his own biography. The main character of the story, on the one hand, is close to the author, on the other - a typical representative of the generation of new intelligentsia, born by the Soviet government. It is proved that the writer's works are an artistic reflection of a historical epoch based on facts, events and stories of real people, including the writer's own biography.

Commodification of media in helping public relations performance in the regional development sector in Indonesia

Indonesia is referred to as a multicultural country, so the context of the multicultural country that is built is based on ethnicity, race, religion, groups and not customary groups where the placement of customs is part of the process of formulating public policies. This means that the context of life in the Indonesian state is multikulepresion or a country consisting of various kinds of differences. Therefore, to build good relations, it is necessary to build multicultural communication, especially in any media in supporting development in various regional sectors in Indonesia. The purpose of this paper is to describe commodification of media in helping public relations performance in the regional development sector in Indonesia: multicultural communication humanization. This research is descriptive qualitative research with ethnographic communication approach. Processing of data through the process of collecting, collecting, selecting, and presenting. The analysis technique uses communication interpretation. The results of the study indicate that development communication includes; (1) multicultural as the main character of the Indonesian nation; (2) dimensions of development through media; (3) humanization and societies in the regional development sector in Indonesia.

SELF-MANIPULATION AS A FORM OF DESIRE FULFILLMENT IN “CATCH ME IF YOU CAN” NOVEL BY FRANK W. ABAGNALE JR

Every human being needs the need to be able to continue living one of the things that is needed is the esteem needs. This study aimed to find the esteem need from Frank William Abagnale in Catch Me If You Can novel by Frank W. Abagnale Jr. which is a real story of the main character, Frank W. Abagnale. This novel was once the best seller in New York published in 1980 which tells the story of a person who is an expert in fake checks, manipulate identities and run away to fulfill life's needs and recognition of the status, achievements and identity of a character. The theory used in this paper is based on Abraham Maslow's theory. Abraham Maslow described the needs of human life in the form of a Pyramid, where the most basic parts are the most important needs in human life. This research that used by researcher is a qualitative research. The process of presenting research results uses informal methods by describing them through words. From the process of data analysis, it can be found that the main character Frank Abagnale in the novel “Catch Me if You Can” continues to struggle to fulfill his life needs as a human. It all started from the needs of Frank who wanted to meet the needs of self-esteem and recognition from people around his environment.

NAPOLEON, THE MAIN CHARACTER IN GEORGE ORWELL’S ANIMAL FARM, AS THE SYMBOL OF STALIN (A STUDY IN SEMIOTIC APPROACH)

Literary work, such as a novel, is an imitation of the facts that it can be analyzedin symbol that can show how the facts enter in it. Semiotic is one approach thatcan be used to analyze how the symbol works in a literary work. This study is toexplain on how Orwell portrays Napoleon in his Animal farm, to explain on howStalin is, and to explain the aspects that Napoleon symbolizes Stalin in Orwell’sAnimal Farm. The data, which is analyzed in terms of semiotic analysis, isselected into the symbol of Napoleon because this central character has a bigpart of the story. The researcher thinks that Orwell reflects this character toanimal which has a hidden purpose and considers that animal relates to personswhich the story is made. There are three problems to discuss, namely (1) whatare Napoleon’s traits? (2) What are Stalin’s traits? (3) What aspects doesNapoleon symbolize Stalin? The results show that the symbol of pig (Napoleon)has many special traits such as leaderships, intelligence, and unique characterand so Joseph Stalin (the actor of Russian revolution), which people describedhim having his own traits. Both of them have correlation in political, economic, and social and cultural aspect

Loyal and stubborn heroes: the main character’s personality in Classic Hollywood cinema

This research aims to analyze the main characters’ construction in classic Hollywood cinema by focusing on their personalities. This work follows Bordwell, Staiger and Thompson’s notions of classic cinema. The sample includes films from 1930 to 1960. Character is understood as personality and as a psychological unit. Characterization is defined by each trait that refers to the totality of their character. We start with the hypothesis that there are central tendencies for creating heroes and heroines in classic cinema. However, these tendencies also correspond with the film narrative model, which is shaped by the functionality of the narrative categories in the story. Personality is among those factors that shape the construction of the character. We applied a methodology of film narrative analysis to a sample of 64 films from six extensive genres in classic Hollywood cinema. The results confirm that the main character in classic cinema is conditioned and shaped by their adaptation to the film’s genre. The hero is usually positive according to what is considered socially acceptable values; the dramatic needs of the plot predetermine their definition. The Hollywood main character’s personality is based on their functionality as they serve the narrative needs of the story.

PENGEMBANGAN KOMIK DIGITAL CHLOROPHYL SEBAGAI MEDIA PEMBELAJARAN PEDULI LINGKUNGAN SISWA SMA

The loss of a sense of responsibility that students have towards protecting and preserving nature is also a bad impact of the progress that has occurred in the present era. Therefore, the researchers took the initiative to develop a valid and practical "chlorophyll" digital comic-based learning media to be used in instilling concern for the surrounding environment. The method used in this research is developing research using ADDIE (Analyze, Design, Development, Implementation, and Evaluation) procedures. The development of this digital Chlorophyl comic consists of 12 pages starting from the opening page about the introduction of the main character, problems to solutions that can be done to protect the environment. Chlorophyl digital comics can be said to be valid with an average of 3.58 and have good criteria so that they can be used in the field with a few revisions that have been adapted to suggestions from experts. In addition, based on input from the validator with several notes of improvement and the assessment of student responses to chlorophyll digital comics, it was stated that it was very practical with a positive response of 80.59%. The conclusion obtained is that the digital chlorophyll comic that was developed is said to be valid with a value of 3.5 and stated to be very practical with a positive response of 80.59%. ABSTRAKHilangnya rasa tanggung jawab yang dimiliki para pelajar terhadap menjaga dan melestarikan alam juga menjadi dampak buruk dari kemajuan yang terjadi pada era masa kini. Oleh karena itu, peneliti bernisiatif untuk mengembangkan media pembelajaran berbasis komik digital chlorophyl yang valid dan praktis untuk digunakan dalam menanamkan kepedulian terhadap lingkungan sekitar. Metode yang digunakan dalam penelitian ini adalah penelitian mengembangkan dengan prosedur ADDIE (Analyze, Design, Development, Implementation, and Evaluation). Pengembangan komik digital Chlorophyl ini terdiri atas 12 halaman mulai dari halaman pembuka tentang perkenalana tokoh utama, permasalahan hingga solusi yang bisa dilakukan untuk menjaga lingkungan hidup. Komik digital Chlorophyl dapat dikatakan valid dengan rata-rata yaitu 3,58 dan memiliki kriteria baik sehingga dapat digunakan di lapangan dengan sedikit revisi yang telah disesuaikan dengan saran dari para ahli. Selain itu berdasarkan masukan dari validator dengan beberapa catatan perbaikan dan penilaian angket respon siswa terhadap komik digital chlorophyl dinyatakan sangat praktis dengan respon positif sebanyak 80,59%. Kesimpulan yang didapatkan adalah komik digital chlorophyl yang dikembangkan dikatakan valid dengan nilai 3,5 dan dinyatakan sangat praktis dengan respon positif sebanyak 80,59%.

Pronoun production remains stable over the adult lifespan for contexts with topic continuity

A prevalent finding in the referential communication literature is that older adults produce more ambiguous pronouns than younger adults, likely because they have difficulty determining the prominence of referents. This finding has been widely understood to reflect a general age-related deficit in communication. However, all studies from this line of work have used materials involving topic shifts (i.e. when the to-be-named referent shifts from one character to another, which requires perspective-taking and can be cognitively costly). To determine the extent to which younger and older adults’ pronominal use diverges, we investigated whether other aspects of the discourse context influence age-related differences in referential choice, apart from topic shifts. Here we tested a large sample of adults (N=496, ages 18-82) using narrative elicitation tasks across four experiments and nine contexts of topic continuity (i.e. contexts in which the to-be-named referent remained the same). In Experiments 1 and 2, we varied the number of characters in the scene while keeping the sex/gender of the characters distinct and found that pronominal use did not differ by age for scenes with 1, 2, and 3 characters. In Experiments 3 and 4, we varied the number of characters, the sex/gender of those characters (such that they were the same or different), and the linguistic emphasis placed on the main character. Again, we found no age differences across all conditions. Taken together, our findings suggest that older adults’ difficulty with prominence estimates is not all- encompassing, but rather appears to be confined to contexts involving topic shifts.

THE IDIOMATIC EXPRESSIONS USED BY THE CHARACTERS AS FOUND IN MEGAMIND MOVIE

The researcher discussed about The Idiomatic Expressions Used by The Characters as Found in Megamind movie. The movie has theme of heroic stories, in the dialogue it is found that the contain of idiomatic expressions, the movie storyline was good, has a good language structure and the movie contain the message that "anyone can be a hero". The purpose of this study is to determine the types of idiomatic expressions, the meaning of idiomatic expressions, and the types of idiomatic expressions that are the most dominant in used by characters such as those found in the Megamind movie. The theory used was Adam Makkai theory to look for types of idiomatic expressions, and the theory of Abdul Chaer to look for the meaning of idiomatic expressions. Characters are people which are represented in a dramatic or narrative work. Idioms are complex expressions whose meaning does not logically follow the individual meanings of their constituents. Idioms are divided into 2 parts, namely idioms of encoding and idioms of decoding. Idioms of decoding are divided into 2, namely sememic idioms and lexemic idioms. Lexemic Idioms are divided into 5 types, namely phrasal verbs idioms, tournure idioms, irreversible binomial idioms, phrasal compound idioms, and incorporating idioms verbs. This research is qualitative research and used descriptive method. Based on the formulation of the problem, this study has revealed three findings. Consists of; First, there are 175 idiomatic types found, contained in 3 character characters in the Megamind movie which are divided into 5 types, namely, phrasal verb idioms found 54 idioms, tournure idioms found 5 idioms, irreversible binomial idioms there is no found idioms that used by each character in Megamind movie, phrasal compound idiom found 93 idioms and incorporating verbs idiom found 23 idioms. Second, there are 9 types of idiomatic meanings used by the characters in the Megamind movie, 3 lexical meanings, 4 contextual meanings, 4 grammatical meanings, 8 conceptual meanings found, 44 associative meanings found, 35 referential meanings found, 2 non-referential meanings were found, 33 denotative meanings, and 42 connotative meanings. Third, the most dominant types of idiomatic expressions used are in the main character in the movie, namely the Megamind character totaling 63 types of Phrasal Compound Idioms and as many as 33 types of Phrasal Verb Idioms.

AN ANALYSIS OF EXPRESSIVE SPEECH ACTS OF THE MAIN CHARACTER IN JOKER MOVIE

This research was aimed to find out the types of expressive speech acts and the context of the expressive speech acts uttered by the main character in Joker movie. The design of the research was a descriptive qualitative research. The data source was Joker Movie directed by Todd Phillips The movie was released in 2019 and its duration was about 1 hour 55 minutes. The data of this research were utterances that included as expressive speech acts. The data were collected by watching, observing, and writing down the utterances indicated as expressive speech acts found in the movie. The data were analyzed by using formal and informal methods. The data were presented by using table (Formal method) and description (Informal method). The contexts of the utterances were analyzed by using SPEAKING model. The results of the analysis show that there are six classifications of expressive speech acts uttered by the main character in Joker Movie. The total number of expressive speech acts found in the movie was 27 utterances covering 7 utterances of greeting, 6 utterances of agreeing, 5 utterances of thanking, 4 utterances of apologizing, 3 utterances of wishing, and 2 utterances of exclamation. The researcher found out that the expressive speeech act of greeting is the most frequently used by the main character. It shows that the main character likes to express his salutation when he meets someone.