Use of a novel human object as a masturbatory tool by a wild male chimpanzee at Bulindi, Uganda

2021 ◽  
Vol 28 (1) ◽  
pp. 8-11
Author(s):  
Matthew R. McLennan ◽  
Kim van Dijk
Keyword(s):  
2020 ◽  
Vol 6 (3) ◽  
pp. 21-51
Author(s):  
Debashree Mukherjee

In 1939, at the height of her stardom, the actress Shanta Apte went on a spectacular hunger strike in protest against her employers at Prabhat Studios in Poona, India. The following year, Apte wrote a harsh polemic against the extractive nature of the film industry. In Jaau Mi Cinemaat? (Should I Join the Movies?, 1940), she highlighted the durational depletion of the human body that is specific to acting work. This article interrogates these two unprecedented cultural events—a strike and a book—opening them up toward a history of embodiment as production experience. It embeds Apte's emphasis on exhaustion within contemporaneous debates on female stardom, industrial fatigue, and the status of cinema as work. Reading Apte's remarkable activism as theory from the South helps us rethink the meanings of embodiment, labor, materiality, inequality, resistance, and human-object relations in cinema.


2012 ◽  
Vol 7 (2) ◽  
pp. 10-18
Author(s):  
B. Mallikarjuna ◽  
◽  
K.V. Ramanaiah ◽  
P. Mohanaiah ◽  
V. Vijaya Kumar Reddy ◽  
...  

Author(s):  
Hong-Bo Zhang ◽  
Yi-Zhong Zhou ◽  
Ji-Xiang Du ◽  
Jin-Long Huang ◽  
Qing Lei ◽  
...  

2016 ◽  
Vol 22 (11) ◽  
pp. 2405-2412 ◽  
Author(s):  
Yeonjoon Kim ◽  
Hangil Park ◽  
Seungbae Bang ◽  
Sung-Hee Lee

2012 ◽  
Vol 62 (1) ◽  
pp. 27-35 ◽  
Author(s):  
Martin Surbeck ◽  
Tobias Deschner ◽  
Anja Weltring ◽  
Gottfried Hohmann

Sign in / Sign up

Export Citation Format

Share Document