This chapter examines sexuality discourse and definitions of obscenity in print media following the Civil War. Editors of illustrated sporting weeklies, such as Frank Leslie (The Days’ Doings) and Richard K. Fox (The National Police Gazette) pushed the boundaries of visual representation. Meanwhile, anti-vice activist Anthony Comstock sought control over what could be seen in print. In pursuing the prosecution of Victoria Woodhull, Tennessee Claflin, Ezra Heywood, and D. M. Bennett, as well as sporting publications, Comstock shifted the focus of visual culture. His success in eliminating images he found shocking distorted the visualization of alleged sexual crimes as primarily the racial assault on white women by men of color. In other words, Comstock helped make the racialized rape/lynching mythos the dominant visual expression of sexual violence.