Creative Transformation: The Work of Conversion

Author(s):  
Roger A. Ward ◽  
Roger A. Ward

This chapter extends the critique of transformation in American philosophy by looking at conversion thematically. It argues that the American philosophers are convinced that a genuine transformation of the form, content, and character of habits and inquiry is possible in experience. The origin of this transformation transcends experience and complete conscious control, but this transcendence can be discovered only by approaching the limit of self-consciously controlled change. The remainder of this chapter contains, first, some considerations concerning the shared methods of approach to transformation, especially in light of the religious character of this discussion in the pragmatists; and second, a thematic account of the transformation that becomes conversion.

Ethics ◽  
1962 ◽  
Vol 72 (3) ◽  
pp. 197-201
Author(s):  
Arthur W. Munk

2010 ◽  
Vol 22 (1) ◽  
pp. 181-195 ◽  
Author(s):  
Anthony Cordingley

This essay argues for the presence of Aristotelian ideas of cosmic order, syllogism, space and time in Beckett's . It accounts for how such ideas impact upon the novel's 'I' as he attempts to offer a philosophical 'solution' to his predicament in an underworld divorced from the revolving heavens. Beckett's study of formal logic as a student at Trinity College, Dublin and his private study of philosophy in 1932 is examined in this light; particularly his “Philosophy Notes,” along with some possible further sources for his knowledge. The essay then reveals a creative transformation of Aristotelian ideas in which led to formal innovations, such as the continuous present of its narrative.


Author(s):  
Abhinandan Jain ◽  
Adam Haar Horowitz ◽  
Felix Schoeller ◽  
Sang-won Leigh ◽  
Pattie Maes ◽  
...  
Keyword(s):  

Sign in / Sign up

Export Citation Format

Share Document