Flannery O'Connor: a study of the short fiction

1989 ◽  
Vol 26 (07) ◽  
pp. 26-3758-26-3758
2017 ◽  
Vol 4 (1) ◽  
Author(s):  
Elisabetta Marino

Tony Ardizzone was born and raised on the North Side of Chicago and is the author of eight books of fiction. His most recent work includes the novel The Whale Chaser and an interconnected story collection set in Rome, By the Fountain of the Four Rivers. He has also written the novels In the Garden of Papa Santuzzu, Heart of the Order, and In the Name of the Father, as well as the story collections Larabi's Ox: Stories of Morocco, Taking It Home: Stories from the Neighborhood, and The Evening News. Ardizzone's writing has been awarded the Chicago Foundation for Literature Award for Fiction, the Flannery O’Connor Award for Short Fiction, the Pushcart Prize, the Virginia Prize for Fiction, the Milkweed Editions National Fiction Prize, the Bruno Arcudi Literature Prize, the Lawrence Foundation Award, as well as two individual artist fellowships from the National Endowment for the Arts.


2016 ◽  
Vol 8 (1) ◽  
pp. 49-66
Author(s):  
Anca Peiu

Abstract My paper focuses on certain “turns of discourse” which can make the main messages of literary masterpieces by Edith Wharton, Flannery O’Connor, and Alice Munro communicate, despite differences in time, space, culture. Thus the label of feminism may be superficial here. What these three writers of canonical world literature share is a fine gift for feminine irony, that is responsible for both their stylistic virtuosity and their thematic choices. I was particularly interested in their intricate views and ways of dealing with the difficulties of the mother-daughter relationship in their exclusively concise short fiction. The horror, (hurt) hubris, and humility of actually living such life experiences and then turning them into literary artifacts have represented my special concern here. The sweet sharp thorns of this classic challenge in real life can make of it the inexhaustible literary theme confirmed by each one and all of these “three sophisticated ladies” in their splendid works.


1988 ◽  
Vol 39 (1) ◽  
pp. 39-48
Author(s):  
Marie-Claire Pasquier
Keyword(s):  

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