7 Unreliable Narration and Puzzle Films (You Only Live Once, Stage Fright, and The Butterfly Effect)

2021 ◽  
pp. 94-104
2013 ◽  
Author(s):  
Gordon Goodman
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Author(s):  
Kathleen Stock

This chapter addresses the complaint that extreme intentionalism standardly forces the reader who engages in interpretation to posit private, or hidden, authorial intentions, for which she has little or no evidence. It is first argued that there are no automatic strategies of interpretation of fictional content: at every stage, whether or not a given interpretative strategy is to be appropriately applied depends on the presence of relevant authorial intention as a sanction. (This section includes a discussion, and rejection, of the views of David Lewis and Gregory Currie about fictional truth; a discussion of the relevance of genre to fictional content; and a consideration of the issue of unreliable narration for an intentionalist view.) The foregoing material on strategies of interpretation is then used to show that it is false to think of the extreme intentionalist as being committed to ‘hidden’ or ‘secret’ meanings in the ordinary case.


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