In this chapter the ubiquity of references to the Prodigal Son in Shakespeare’s work is explored, leading to a discussion of Shakespeare’s use of the Bible in general and of the Geneva Bible in particular. Two plays are considered in detail: Henry IV Part 1 and King Lear. It is suggested that Shakespeare offers a creative exegesis, or midrash, of the parable in both plays. In the first, the parable is reworked in a way which leads the reader to question the motives of both Hal and the Prodigal in the original text. In the second, the complex overlay of the parable on the plot and characterization offers at least the possibility of grace and hope at the end of the play.
Lloyd E. Berry ed., The Geneva Bible : A Facsimile of the 1560 Edition (University of Wisconsin Press, 1969), pages vi+28+1227 in facsimile ; $ 29.50 cloth, $50 Bible-style leather