The publication of Gerald H. Wilson’s The Editing of the Hebrew Psalter in 1985 marked a distinct shift in approaches to Psalms research. This article reviews this shift from psalm to Psalter exegesis. North American scholarship tends to follow a synchronic approach and to describe the shape of the Psalter. German scholarship tends to use a diachronic perspective and trace the shaping of the Psalter to explain how it attained its final form. There are growing signs of dialogue and convergence between these two main approaches to the editing of the Hebrew Psalter, which overshadow form-critical and liturgical approaches to the editing of the Psalter. Adherents of the shape and the shaping approach tend to propose a specific theme, organizational principle, or redactional intent to explain the Psalter’s final form. The multi-faceted nature of the Psalter and its long and complex history imply that, in spite of a multitude of publications, the last word on editorial trends and redactional trajectories has not been spoken.
