psychology of programming
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2019 ◽  
Vol 131 ◽  
pp. 52-63 ◽  
Author(s):  
Alan F. Blackwell ◽  
Marian Petre ◽  
Luke Church

2018 ◽  
Vol 57 (5) ◽  
pp. 1227-1259 ◽  
Author(s):  
Ioannis V. Vasilopoulos ◽  
Paul van Schaik

This article discusses the design and implementation of a new programming tool for Greek novices as a means to improve introductory programing instruction in Greece. We implemented Koios, a new highly interactive and visual programming tool for Greek novices, based on the body of research in the field of psychology of programming. The main contribution of this article is the empirical demonstration of the benefit of this tool in novice programming, compared with two other popular programming tools for Greek novices. The results show that users of Koios performed significantly better than users of the other two programming tools.


Author(s):  
Palle Dahlstedt

While computational models of human music making are a hot research topic, the human side of computer-based music making has been largely neglected. What are our cognitive processes like when we create musical algorithms, and when we compose and perform with them? Musical human–algorithm interaction involves embodied action, perception and interaction, and some kind of internalization of the algorithms in the performer’s mind. How does the cognitive relate to the physical here? Departing from the age-old mind–body problem, this chapter tries to answer these questions and review relevant research, drawing from a number of related fields, such as musical cognition, cognition and psychology of programming, embodied performance, and neurological research, as well as from the author’s personal experience as an artist working in the field.


Author(s):  
Margherita Pasini ◽  
Ugo Solitro ◽  
Margherita Brondino ◽  
Roberto Burro ◽  
Daniela Raccanello ◽  
...  

1992 ◽  
Vol 37 (3) ◽  
pp. 391-393
Author(s):  
Jurgan Koenemann-Belliveau

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