Transnational EncountersMusic and Performance at the U.S.-Mexico Border
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Published By Oxford University Press

9780199735921

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“Todos me llaman El Gringo”Place, Identity, and Erasure within the New Mexico Hispano Music Scene

Transnational EncountersMusic and Performance at the U.S.-Mexico Border ◽

10.1093/acprof:oso/9780199735921.003.0015 ◽

2011 ◽

pp. 312-335 ◽

Author(s):

Lillian Gorman

Keyword(s):

Place Identity ◽

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Transnational Identity, the Singing of Spirituals, and the Performance of Blackness among Mascogos1

Transnational EncountersMusic and Performance at the U.S.-Mexico Border ◽

10.1093/acprof:oso/9780199735921.003.0009 ◽

2011 ◽

pp. 170-188 ◽

Author(s):

Alejandro L. Madrid

Keyword(s):

Transnational Identity

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Reggae on the BorderThe Possibilities of a Frontera Soundscape

Transnational EncountersMusic and Performance at the U.S.-Mexico Border ◽

10.1093/acprof:oso/9780199735921.003.0002 ◽

2011 ◽

pp. 19-36 ◽

Author(s):

Luis Alvarez

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Waila as Transnational Practice

Transnational EncountersMusic and Performance at the U.S.-Mexico Border ◽

10.1093/acprof:oso/9780199735921.003.0008 ◽

2011 ◽

pp. 149-164

Author(s):

Joan Titus

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From Pistol-Packing Pelado to Border Crossing MojadoEl Piporro and the Making of a “Mexican” Border Space

Transnational EncountersMusic and Performance at the U.S.-Mexico Border ◽

10.1093/acprof:oso/9780199735921.003.0016 ◽

2011 ◽

pp. 340-369

Author(s):

Cathy Ragland

Keyword(s):

Border Crossing

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La avanzada regiaMonterrey's Alternative Music Scene and the Aesthetics of Transnationalism

Transnational EncountersMusic and Performance at the U.S.-Mexico Border ◽

10.1093/acprof:oso/9780199735921.003.0013 ◽

2011 ◽

pp. 252-279

Author(s):

Ignacio Corona

Keyword(s):

Alternative Music ◽

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The Tijuana SoundBrass, Blues, and the Border of the 1960s

Transnational EncountersMusic and Performance at the U.S.-Mexico Border ◽

10.1093/acprof:oso/9780199735921.003.0012 ◽

2011 ◽

pp. 230-249

Author(s):

Josh Kun

Keyword(s):

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Patriotic Citizenship, the Border Wall, and the “El Veterano” Conjunto Festival

Transnational EncountersMusic and Performance at the U.S.-Mexico Border ◽

10.1093/acprof:oso/9780199735921.003.0011 ◽

2011 ◽

pp. 207-225 ◽

Author(s):

Margaret E. Dorsey ◽

Miguel Díaz-Barriga

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Transnational Cultural ConstructionsCumbia Music and the Making of Locality in Monterrey

Transnational EncountersMusic and Performance at the U.S.-Mexico Border ◽

10.1093/acprof:oso/9780199735921.003.0010 ◽

2011 ◽

pp. 191-205

Author(s):

Jesus A. Ramos-Kittrell

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New Mexico and ‘Manitos at the Borderlands of Popular Music in Greater Mexico

Transnational EncountersMusic and Performance at the U.S.-Mexico Border ◽

10.1093/acprof:oso/9780199735921.003.0014 ◽

2011 ◽

pp. 286-306

Author(s):

Brenda M. Romero

Keyword(s):

Popular Music ◽

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