Transnational EncountersMusic and Performance at the U.S.-Mexico Border
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Published By Oxford University Press

9780199735921

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“Todos me llaman El Gringo”Place, Identity, and Erasure within the New Mexico Hispano Music Scene

Transnational EncountersMusic and Performance at the U.S.-Mexico Border ◽

10.1093/acprof:oso/9780199735921.003.0015 ◽

2011 ◽

pp. 312-335 ◽

Cited By ~ 1

Author(s):

Lillian Gorman

Keyword(s):

New Mexico ◽

Place Identity ◽

Music Scene

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Transnational Identity, the Singing of Spirituals, and the Performance of Blackness among Mascogos1

Transnational EncountersMusic and Performance at the U.S.-Mexico Border ◽

10.1093/acprof:oso/9780199735921.003.0009 ◽

2011 ◽

pp. 170-188 ◽

Cited By ~ 1

Author(s):

Alejandro L. Madrid

Keyword(s):

Transnational Identity

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Reggae on the BorderThe Possibilities of a Frontera Soundscape

Transnational EncountersMusic and Performance at the U.S.-Mexico Border ◽

10.1093/acprof:oso/9780199735921.003.0002 ◽

2011 ◽

pp. 19-36 ◽

Cited By ~ 1

Author(s):

Luis Alvarez

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From Pistol-Packing Pelado to Border Crossing MojadoEl Piporro and the Making of a “Mexican” Border Space

Transnational EncountersMusic and Performance at the U.S.-Mexico Border ◽

10.1093/acprof:oso/9780199735921.003.0016 ◽

2011 ◽

pp. 340-369

Author(s):

Cathy Ragland

Keyword(s):

Border Crossing

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La avanzada regiaMonterrey's Alternative Music Scene and the Aesthetics of Transnationalism

Transnational EncountersMusic and Performance at the U.S.-Mexico Border ◽

10.1093/acprof:oso/9780199735921.003.0013 ◽

2011 ◽

pp. 252-279

Author(s):

Ignacio Corona

Keyword(s):

Alternative Music ◽

Music Scene

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The Tijuana SoundBrass, Blues, and the Border of the 1960s

Transnational EncountersMusic and Performance at the U.S.-Mexico Border ◽

10.1093/acprof:oso/9780199735921.003.0012 ◽

2011 ◽

pp. 230-249

Author(s):

Josh Kun

Keyword(s):

The 1960S

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Patriotic Citizenship, the Border Wall, and the “El Veterano” Conjunto Festival

Transnational EncountersMusic and Performance at the U.S.-Mexico Border ◽

10.1093/acprof:oso/9780199735921.003.0011 ◽

2011 ◽

pp. 207-225 ◽

Cited By ~ 11

Author(s):

Margaret E. Dorsey ◽

Miguel Díaz-Barriga

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Transnational Cultural ConstructionsCumbia Music and the Making of Locality in Monterrey

Transnational EncountersMusic and Performance at the U.S.-Mexico Border ◽

10.1093/acprof:oso/9780199735921.003.0010 ◽

2011 ◽

pp. 191-205

Author(s):

Jesus A. Ramos-Kittrell

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Waila as Transnational Practice

Transnational EncountersMusic and Performance at the U.S.-Mexico Border ◽

10.1093/acprof:oso/9780199735921.003.0008 ◽

2011 ◽

pp. 149-164

Author(s):

Joan Titus

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New Mexico and ‘Manitos at the Borderlands of Popular Music in Greater Mexico

Transnational EncountersMusic and Performance at the U.S.-Mexico Border ◽

10.1093/acprof:oso/9780199735921.003.0014 ◽

2011 ◽

pp. 286-306

Author(s):

Brenda M. Romero

Keyword(s):

New Mexico ◽

Popular Music ◽

Greater Mexico

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Transnational EncountersMusic and Performance at the U.S.-Mexico BorderLatest Publications

TOTAL DOCUMENTS

H-INDEX

Published By Oxford University Press

“Todos me llaman El Gringo”Place, Identity, and Erasure within the New Mexico Hispano Music Scene

Transnational Identity, the Singing of Spirituals, and the Performance of Blackness among Mascogos1

Reggae on the BorderThe Possibilities of a Frontera Soundscape

From Pistol-Packing Pelado to Border Crossing MojadoEl Piporro and the Making of a “Mexican” Border Space

La avanzada regiaMonterrey's Alternative Music Scene and the Aesthetics of Transnationalism

The Tijuana SoundBrass, Blues, and the Border of the 1960s

Patriotic Citizenship, the Border Wall, and the “El Veterano” Conjunto Festival

Transnational Cultural ConstructionsCumbia Music and the Making of Locality in Monterrey

Waila as Transnational Practice

New Mexico and ‘Manitos at the Borderlands of Popular Music in Greater Mexico

Transnational EncountersMusic and Performance at the U.S.-Mexico Border
Latest Publications