The Cambridge Companion to the Concerto
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Published By Cambridge University Press

9780521834834, 9780521542579, 9781139000901

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The concerto and society

The Cambridge Companion to the Concerto ◽

10.1017/ccol9780521834834.004 ◽

2005 ◽

pp. 19-32 ◽

Author(s):

Tia DeNora

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Selected further reading

The Cambridge Companion to the Concerto ◽

10.1017/ccol9780521834834.017 ◽

2005 ◽

pp. 288-296

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Performance practice in the nineteenth-century concerto

The Cambridge Companion to the Concerto ◽

10.1017/ccol9780521834834.014 ◽

2005 ◽

pp. 227-246

Author(s):

David Rowland

Keyword(s):

Nineteenth Century ◽

Performance Practice

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Nineteenth-century concertos for strings and winds

The Cambridge Companion to the Concerto ◽

10.1017/ccol9780521834834.009 ◽

2005 ◽

pp. 118-138

Author(s):

R. Larry Todd

Keyword(s):

Nineteenth Century

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The concerto in the age of recording

The Cambridge Companion to the Concerto ◽

10.1017/ccol9780521834834.015 ◽

2005 ◽

pp. 247-260

Author(s):

Timothy Day

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Introduction

The Cambridge Companion to the Concerto ◽

10.1017/ccol9780521834834.002 ◽

2005 ◽

pp. 1-4 ◽

Author(s):

Simon P. Keefe

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The nineteenth-century piano concerto

The Cambridge Companion to the Concerto ◽

10.1017/ccol9780521834834.008 ◽

2005 ◽

pp. 93-117

Author(s):

Stephan D. Lindeman

Keyword(s):

Nineteenth Century ◽

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Theories of the concerto from the eighteenth century to the present day

The Cambridge Companion to the Concerto ◽

10.1017/ccol9780521834834.003 ◽

2005 ◽

pp. 5-18

Author(s):

Simon P. Keefe

Keyword(s):

Eighteenth Century

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Performance practice in the eighteenth-century concerto

The Cambridge Companion to the Concerto ◽

10.1017/ccol9780521834834.013 ◽

2005 ◽

pp. 192-226

Author(s):

Robin Stowell

Keyword(s):

Eighteenth Century ◽

Performance Practice

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The concerto from Mozart to Beethoven: aesthetic and stylistic perspectives

The Cambridge Companion to the Concerto ◽

10.1017/ccol9780521834834.007 ◽

2005 ◽

pp. 70-92

Author(s):

Simon P. Keefe

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