A Blooming Flower

This chapter highlights the extent to which media featured as weapons in Thomas Mann's struggle against Nazism. Mann benefited from government–industry collaborations, for example, by acquiring access to American studios to record propaganda broadcasts that were then carried into Nazi-occupied Europe. His main intermediary on the continent, however, was his old German publisher Gottfried Bermann Fischer, who fought a battle of his own to keep Mann's books available in those countries that had not yet been conquered by the Nazis. Both forms of transmission—the transmission of Mann's voice via radio waves and the transmission of his books via increasingly convoluted distribution networks—were beset by all sorts of difficulties during wartime. But both were essential in keeping the author's influence alive in a time when he was unable to personally connect to his readership.

The Greatest Living Man of Letters

This chapter argues that the process by which Thomas Mann was canonized as the “greatest living man of letters” in the New World certainly had many similarities to his staging as a representative writer in the Old. But there were enormous differences as well, and these would turn out to be consequential for literary history, including literary history back in Germany. The chapter explains how Mann's rise to literary prominence in the United States took place within the larger context of a newly emerging and distinctively American cultural formation, the “middlebrow.” At first, this seems antithetical to Mann's associations with “serious” modern literature. However, the chapter reveals that modernism and the middlebrow have never truly stood in opposition to one another.