The Cambridge History of Medieval Music
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41

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Published By Cambridge University Press

9780511979866

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Ars subtilior

The Cambridge History of Medieval Music ◽

10.1017/9780511979866.038 ◽

2018 ◽

pp. 1125-1146

Author(s):

Anne Stone

Keyword(s):

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Medieval Performance Practice

The Cambridge History of Medieval Music ◽

10.1017/9780511979866.020 ◽

2018 ◽

pp. 582-608

Author(s):

Timothy J. McGee

Keyword(s):

Performance Practice ◽

Medieval Performance

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Issues in the Modern Performance of Medieval Music

The Cambridge History of Medieval Music ◽

10.1017/9780511979866.021 ◽

2018 ◽

pp. 609-625

Author(s):

John Potter

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Latin Song II: The Music and Texts of the Conductus

The Cambridge History of Medieval Music ◽

10.1017/9780511979866.035 ◽

2018 ◽

pp. 1048-1078

Author(s):

Thomas Payne

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Vernacular Song I: Lyric

The Cambridge History of Medieval Music ◽

10.1017/9780511979866.013 ◽

2018 ◽

pp. 382-427

Author(s):

Elizabeth Aubrey

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Music and Prosopography

The Cambridge History of Medieval Music ◽

10.1017/9780511979866.007 ◽

2018 ◽

pp. 176-209

Author(s):

Margot Fassler

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Trecento II: Sacred Music and Motets in Italy and the East from 1300 until the End of the Schism

The Cambridge History of Medieval Music ◽

10.1017/9780511979866.037 ◽

2018 ◽

pp. 1100-1124

Author(s):

Michael Scott Cuthbert

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Origins and Transmission of Franco-Roman Chant

The Cambridge History of Medieval Music ◽

10.1017/9780511979866.003 ◽

2018 ◽

pp. 69-91

Author(s):

Andreas Pfisterer

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Teaching and Learning Music

The Cambridge History of Medieval Music ◽

10.1017/9780511979866.016 ◽

2018 ◽

pp. 475-499

Author(s):

Anna Maria Busse Berger

Keyword(s):

Teaching And Learning

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The Silence of Medieval Singers

The Cambridge History of Medieval Music ◽

10.1017/9780511979866.008 ◽

2018 ◽

pp. 210-235

Author(s):

Katarina Livljanic ◽

Benjamin Bagby

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