The Cambridge Companion to Recorded Music
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Published By Cambridge University Press

9780521865821, 9781139002684, 9780521684613

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Bibliography

The Cambridge Companion to Recorded Music ◽

10.1017/ccol9780521865821.034 ◽

2009 ◽

pp. 329-344

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Reminder: A recording is not a performance

The Cambridge Companion to Recorded Music ◽

10.1017/ccol9780521865821.026 ◽

2009 ◽

pp. 217-220 ◽

Author(s):

Roger Heaton

Keyword(s):

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Getting sounds: The art of sound engineering

The Cambridge Companion to Recorded Music ◽

10.1017/ccol9780521865821.011 ◽

2009 ◽

pp. 63-76 ◽

Author(s):

Albin Zak

Keyword(s):

Sound Engineering

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From Lanza to Lassus

The Cambridge Companion to Recorded Music ◽

10.1017/ccol9780521865821.015 ◽

2009 ◽

pp. 98-101

Author(s):

Tully Potter

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Methods for analysing recordings

The Cambridge Companion to Recorded Music ◽

10.1017/ccol9780521865821.027 ◽

2009 ◽

pp. 221-245 ◽

Author(s):

Nicholas Cook

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Introduction

The Cambridge Companion to Recorded Music ◽

10.1017/ccol9780521865821.002 ◽

2009 ◽

pp. 1-9

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One man's approach to remastering

The Cambridge Companion to Recorded Music ◽

10.1017/ccol9780521865821.024 ◽

2009 ◽

pp. 210-213

Author(s):

Ted Kendall

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Limitations and creativity in recording and performance

The Cambridge Companion to Recorded Music ◽

10.1017/ccol9780521865821.012 ◽

2009 ◽

pp. 77-79

Author(s):

Martyn Ware

Keyword(s):

And Performance

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Afterword: Recording: From reproduction to representation to remediation

The Cambridge Companion to Recorded Music ◽

10.1017/ccol9780521865821.032 ◽

2009 ◽

pp. 286-304 ◽

Author(s):

Georgina Born

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Still small voices

The Cambridge Companion to Recorded Music ◽

10.1017/ccol9780521865821.009 ◽

2009 ◽

pp. 54-58

Author(s):

Jonathan Freeman-Attwood

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