This chapter begins with a comparative analysis of pain’s importance to three prominent nineteenth-century literary modes: sentimentalism, naturalism, and realism. It then turns to the distinctive aesthetic and ethical priorities of the high realism practiced by William Dean Howells, Henry James, and Edith Wharton. It concludes with an extended analysis of Howellsian realism as the first of several examples of the high realist aesthetic. From the outset of his career, Howells explored the idea that a more refined literary sensibility hinges on a subtle sensitivity to suffering of various kinds, emphasizing a view of the elevated individual as possessing a heightened ability not just to experience pain but to manage his or her own reactions to it in a sophisticated fashion. Even in his most socially engaged fiction, Howells evinces a preference for a troubled, ruminative, and restrained affective response to others’ suffering over reactions his works portray as rash, boorish, or at best ill-conceived.
