Pierre Bourdieu (1930–2002) from “The Field of Cultural Production, Or: The Economic World Reversed,” The Field of Cultural Production (1983)

2005 ◽  
pp. 103-110
Author(s):  
Lee Morrissey
Keyword(s):  
Cultural Production ◽  
Pierre Bourdieu ◽  
Field Of Cultural Production

Retroactivating the Idea of the Avant Garde

2020 ◽  
pp. 1-18
Author(s):  
Marc James Léger
Keyword(s):  
Working Class ◽  
Cultural Production ◽  
Pierre Bourdieu ◽  
Sociology Of Culture ◽  
Avant Garde ◽  
Contemporary Situation ◽  
Field Of Cultural Production ◽  
The University ◽  
Four Discourses

Abstract In the late 1970s, Pierre Bourdieu argued that the field of cultural production was distinguished along class lines by three different modes of cultural habitus: bourgeois disinterestness, petty-bourgeois allodoxia and working-class necessity. Since that era, the petty-bourgeois habitus has become the dominant predisposition. Adding Bourdieu’s sociology of culture to Peter Bürger’s historicized theory of the emergence of the avant garde as a critique of the “institution art,” a new “avant garde hypothesis” becomes possible for today’s age of post-Fordist biocapitalism. Based on Jacques Lacan’s Four Discourses, the contemporary situation is shown to privilege specific forms of cultural production, in particular an activist Discourse of the Hysteric and a technocratic Discourse of the University. Psychoanalysis reveals the limits of these tendencies while also underscoring the archaic aspects of an aestheticist Discourse of the Master and the transferential logics of Analyst avant gardes.

Welcome to the Field

2021 ◽  
Vol 6 (3) ◽  
pp. 430-448
Author(s):  
Michael O’Krent
Keyword(s):  
Cultural Production ◽  
Critical Reflection ◽  
Pierre Bourdieu ◽  
Game Studies ◽  
Social Meaning ◽  
Production Ecology ◽  
Field Of Cultural Production ◽  
Prestige Language

Abstract Videogames offer vast potential for critical reflection by humanities scholars, but the tendency of existing game studies scholarship to treat the rules of a game separately from the game’s social meaning suggests that videogames have no place in humanistic disciplines. This article challenges that notion by contrasting a cultural view of videogames with the dominant mere-technology view. Ecocriticism functions as a prestige language for videogames that permits entrance into what sociologist Pierre Bourdieu calls the field of cultural production. Ecology simultaneously provides metaphors for explaining videogame technology while allowing games to enter ongoing critical and cultural conversations. Humanists interested in but unfamiliar with videogames should therefore start with those with environmentalist themes. This article presents Horizon Zero Dawn (2017) as a case study. Horizon Zero Dawn presents a stylized pastoral pseudo-utopia that embraces ecofeminist calls to reconstruct rationality while challenging existing sexism in computing fields.

scholarly journals The literary field of queer cultural production in contemporary India: considering popular queer texts via Bourdieu

2021 ◽  
Vol 2 (4) ◽  
pp. e21048
Author(s):  
Anil Pradhan
Keyword(s):  
Cultural Production ◽  
Pierre Bourdieu ◽  
Literary Texts ◽  
Literary Field ◽  
Indian Context ◽  
Art And Literature ◽  
Queer Culture ◽  
Field Of Cultural Production ◽  
Popular Texts

In The Field of Cultural Production: Essays on Art and Literature, sociologist Pierre Bourdieu puts forward the idea that culture is discursively produced and that the field that informs, constitutes, and problematizes cultural production is crucial towards understanding how cultural transactions, dynamics, and politics work. Since literature is a key marker of society’s outlook on and reception of sensitive subjects like non-heteronormativity, this article focuses on the queer literary field – LGBTQ+-related texts and publication – in/of contemporary India. To this end, I look into trends in publication of Indian queer literary texts in English since 1976 through Bourdieu’s concept of the cultural production of the field of queer literature and consider popular texts like Shikhandi: And Other Queer Tales They Don’t Tell You; Our Impossible Love; She Swiped Right into my Heart, and read them vis-à-vis Bourdieu’s theorization, in order to conceptualize an idea about how texts and contexts interact with each other towards (re-)producing and (re-)constructing contemporary queer culture(s) in the Indian context.

“I Go Against the Grain of Your Memory”

2018 ◽  
Author(s):  
Daniel B. Sharp
Keyword(s):  
Cultural Production ◽  
Cultural Roots ◽  
Field Of Cultural Production

This chapter charts the artistic trajectory of northeastern Brazilian poet, singer, writer, playwright and actor José Paes de Lira, known as Lirinha, situating his experiments as a long-standing attempt to reject and revise the regional folklorism within which audiences and critics often received his performances. The chapter examines Lirinha’s work, both as the visionary behind the nationally acclaimed group Cordel do Fogo Encantado (1998–2010) and in his subsequent musical and theatrical efforts. It also traces Lirinha’s turn away from folklorism as a reaction against narratives of “cultural rescue” that pressured him to uphold static notions of cultural roots. Reinforcing an overarching argument within this volume, Sharp argues that Lirinha’s work is culturally transformative within its particular field of cultural production, even if it is not always audible as experimental.

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