Domestic Labor in Twenty-First Century Latin American Cinema

2020 ◽  
Keyword(s):  
Latin American ◽  
First Century ◽  
Domestic Labor ◽  
American Cinema ◽  
Latin American Cinema ◽  
Twenty First Century

Domestic Labor in Twenty-First Century Latin American Cinema, Elizabeth Osborne and Sofía Ruiz-Alfaro (eds) (2020)

2021 ◽  
Vol 18 (1) ◽  
pp. 108-110
Author(s):  
Andrea Meador Smith
Keyword(s):  
Latin American ◽  
First Century ◽  
Domestic Labor ◽  
American Cinema ◽  
Latin American Cinema ◽  
Twenty First Century

Review of: Domestic Labor in Twenty-First Century Latin American Cinema, Elizabeth Osborne and Sofía Ruiz-Alfaro (eds) (2020) Cham, Switzerland: Palgrave Macmillan, 242 pp., ISBN 978-3-03033-295-2, h/bk, €103.99, e/bk, €85.59

: Latin American Cinema: Film and History . E. Bradford Burns.

1976 ◽  
Vol 29 (4) ◽  
pp. 26-27
Author(s):  
Hans Ehrmann
Keyword(s):  
Latin American ◽  
American Cinema ◽  
Latin American Cinema

scholarly journals Beatriz Palacios: Ukamau’s Cornerstone (1974–2003)

2021 ◽  
Vol 48 (2) ◽  
pp. 77-92
Author(s):  
Isabel Seguí
Keyword(s):  
Latin American ◽  
American Cinema ◽  
Political Cinema ◽  
Latin American Cinema ◽  
Popular Classes ◽  
Authorial Persona ◽  
Correct Understanding ◽  
The Impact ◽  
The Voice ◽  
Cine Latinoamericano

Beatriz Palacios’s instrumental role in the Ukamau group has been largely ignored by film historiography and criticism. The authorial persona of her comrade and husband, Jorge Sanjinés, has eclipsed Palacios’s work and ideas. Her erasure is due to the perspectives chosen to analyze Ukamau (male-centered auteurist and formalist approaches) and to the almost exclusive use of the voice of Sanjinés (interviews, essays, and films interpreted in an authorial key) to construct the group’s history. Ignoring the contribution and importance of Palacios’s work and not accounting for her share in the authorship of the films made during the years they lived and worked together impedes a correct understanding of the complexity of the production context and the amplitude of the contribution of Ukamau to Latin American cinema. While her work as a producer is increasingly recognized, delving into her roles as a disseminator of political cinema in alternative circuits, evaluator of the impact of the movies on the popular classes, and documentary director completes the portrait of her all-encompassing life and career. En gran medida, el papel instrumental de Beatriz Palacios en el grupo Ukamau ha sido ignorado por la historiografía y la crítica cinematográficas. La persona autoral de su camarada y esposo, Jorge Sanjinés, ha eclipsado la obra e ideas de Palacios. Dicha eliminación se debe a las perspectivas elegidas para analizar Ukamau (enfoques y formalistas) y al uso casi exclusivo de la voz de Sanjinés (entrevistas, ensayos y películas interpretadas en clave autoral) para construir la historia del grupo. Ignorar la contribución e importancia del trabajo de Palacios, así como su participación en la autoría de las películas realizadas durante los años que vivieron y trabajaron juntos, impide una correcta contribución de Ukamau al cine latinoamericano. Mientras que su trabajo como productora es cada vez más reconocido, ahondar en su labor como divulgadora de cine político en circuitos alternativos, evaluadora del impacto de las películas en las clases populares y directora de documentales, completa debidamente retrato de su vida y carrera.

Evolving Images: Jewish Latin American Cinema

2019 ◽  
Vol 52 (2) ◽  
pp. 287-289
Author(s):  
Saúl Sosnowski
Keyword(s):  
Latin American ◽  
American Cinema ◽  
Latin American Cinema

The New Latin American Cinema. An Annotated Bibliography 1960-1980

Chasqui ◽  
1983 ◽  
Vol 13 (1) ◽  
pp. 77
Author(s):  
E. Bradford Burns ◽  
Julianne Burton
Keyword(s):  
Latin American ◽  
Annotated Bibliography ◽  
American Cinema ◽  
Latin American Cinema ◽  
New Latin American Cinema

From Abundance to Scarcity: Twenty-First-Century Latin American Dystopias

2018 ◽  
Vol 51 (1) ◽  
pp. 7-13
Author(s):  
Eduardo Becerra
Keyword(s):  
Latin American ◽  
First Century ◽  
Twenty First Century

After New Latin American Cinema

2012 ◽  
Vol 51 (2) ◽  
pp. 87-112 ◽  
Author(s):  
Paul A. Schroeder Rodríguez
Keyword(s):  
Latin American ◽  
American Cinema ◽  
Latin American Cinema ◽  
New Latin American Cinema
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