Epic Biopics: Biographies of Polish Music Stars on Television

2020 ◽  
pp. 185-205
Author(s):  
Ewa Mazierska
Keyword(s):  
1981 ◽  
Vol 62 (3-4) ◽  
pp. 478-481
Author(s):  
JIM SAMSON
Keyword(s):  

1966 ◽  
Vol 52 (2) ◽  
pp. 240
Author(s):  
F. Lesure ◽  
Stefan Jarocinski
Keyword(s):  

1965 ◽  
Vol LI (1) ◽  
pp. 244-258
Author(s):  
STEFAN JAROCINSKI
Keyword(s):  

Muzyka ◽  
2019 ◽  
Vol 64 (1) ◽  
pp. 144-153
Author(s):  
Jolanta Guzy-Pasiak

The present article is the first attempt to provide a comprehensive – as much as the available sources allow – presentation of Polish music in Great Britain during the war, without any claims to completeness. The main institution attracting Poles in London was, practically from the beginning of the war, Polish Hearth, founded by Polish artists, scholars and writers. The Polish Musicians of London association with Tadeusz Jarecki organised classical music concerts and published contemporary works by Polish composers. The organisation was instrumental in the founding of the London Polish String Quartet. The BBC Radio played a huge role in the popularisation of the Polish repertoire and Polish artists, broadcasting complete performances. What became an extremely attractive form of promoting Polish art were the performances of the Anglo-Polish Ballet, founded by Czesław Konarski and Alicja Halama in 1940. The post-war reality meant that most of the scores published at the time were arrangements of soldiers’, historical, folk and popular songs characterised by simple musical means suited to the capabilities of army bands, but conveying the spirit accompanying the soldiers of the Polish Armed Forces during the Second World War. Polish Army Choir established, as the first among such ensembles, on Jerzy Kołaczkowski’s initiative.The author hopes to prompt further studies into the history of migrations of artists and work on monographs on the various composers and performers. Undoubtedly, there is a need to bring this part of our musical culture to light, especially given the fact that interest in Polish music abroad has been growing in recent years.


Muzyka ◽  
10.36744/m.40 ◽  
2019 ◽  
Vol 64 (3) ◽  
pp. 18-33
Author(s):  
Grzegorz Joachimiak

The presented research results concerning the music collection of Professor Aleksander Poliński (the author of a book Dzieje muzyki polskiej w zarysie [An outline history of Polish music], Lviv 1907), specifically lute tablature manuscripts from the seventeenth and eighteenth centuries (Paris, Bibliothéque Nationale: Rès. Vmc. ms. 61 and Rès. Vma. ms. 1213), provide information that enables us not only to learn of their complicated history but also to indicate another source from this collection. Inscriptions written in Polish confirm that we are dealing with manuscripts which previously belonged to this collection. The materials and information revealing what sources he had at his disposal when preparing, for example, his monography on Polish music are still very valuable.


Author(s):  
O. L. Devyatova ◽  

The article is devoted to the problem of cultural relations between Poland and Russia in the second half of the 20th and early 21st centuries, which are studied using the example of musical culture and Russian-Polish relationships in the creative life of the St. Petersburg composer Sergei Mikhailovich Slonimsky. The significance of the genealogical and genetic roots and musical and creative contacts of the greatest master of modern culture with Poland and Polish music, both in the 19th and 20–2I-th centuries, is proved. It is concluded that it is musical culture, represented by its outstanding creative figures, that is capable, despite political differences, to establish strong, fruitful creative and friendly relations between the two Slavic countries.


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