Countering Persecution, Misconceptions, and Nationalism: Roma Identity and Contemporary Activist Art

Author(s):  
Jasmina Tumbas
Keyword(s):  
2018 ◽  
Vol 52 (2) ◽  
pp. 310-333
Author(s):  
Ipek Türeli ◽  
Meltem Al

In 2013, the Gezi Park protests created a wave of optimism in Istanbul – until it was brutally suppressed by the government. Although the ephemeral movement ended without having achieved its immediate goals, it continues to have ripple effects on the public culture of Istanbul. The ruling party, for example, has emulated the forms and formats of performance that emerged during the protests in order to mobilize its own support base. In a post-Gezi Istanbul, however, the occupation of public spaces in protest of the government has become nearly impossible, rendering alternative artistic and activist practices all the more important.


2019 ◽  
pp. 301-312
Author(s):  
Hannah Durkin

This section of the book contains an interview with Himid, conducted a few weeks after she won the Turner Prize, in which she reflects in detail on her activist art. The interview contains information about Himid’s style, influences and future career goals.


2001 ◽  
Vol 43 (1) ◽  
pp. 75
Author(s):  
Laurie E. Hicks ◽  
Graeme Sullivan ◽  
Sally McRorie ◽  
Graeme Chalmers ◽  
Michael J. Emme

ARTMargins ◽  
2013 ◽  
Vol 2 (1) ◽  
pp. 106-119
Author(s):  
Nat Muller

This article examines the cultural, economic and political context of the Art Dubai art fair and its symposium the Global Art Forum, as well as the commercial, educational and curatorial role of the recent flourishing of galleries in Dubai. It unpacks the complex connections that exist in the MENA region between art as a critical practice, and art a marker of modernity and a commodity of hyper-capitalist consumption. The article evaluates the consequences of importing internationalist and activist art discourses to a conservative and absolutist monarchies in the Gulf with curtailed freedom of speech and of expression.


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