Der Fürst der Phantome von Anthony Burgess

2000 ◽  
pp. 118-121
Author(s):  
Nigel Barley
Keyword(s):  
Anthony Burgess

Anthony Burgess: ABBA ABBA, edited by Paul Howard

2020 ◽  
Vol 29 (2) ◽  
pp. 280-284
Author(s):  
Anthony Mortimer
Keyword(s):  
Anthony Burgess

scholarly journals Entrevista com Fábio Fernandes

2017 ◽  
Vol 37 (3) ◽  
pp. 393
Author(s):  
Andréa Cesco ◽  
Beatriz Regina Guimarães Barboza ◽  
Gilles Jean Abes
Keyword(s):  
Anthony Burgess

Trata-se de uma entrevista com Fábio Fernandes sobre a sua tradução do romance de Anthony Burgess, Laranja Mecânica.O objetivo principal foi a de fazer com que o tradutor comentasse as suas escolhas tradutórias, sobretudo, de que forma traduziu a gíria nadsat, criada por Burgess. Além disso, esta entrevista procura apresentar o trabalho de Fábio Fernandes.

scholarly journals Ten books

2010 ◽  
Vol 196 (2) ◽  
pp. 161-163
Author(s):  
Sean A. Spence
Keyword(s):  
Don Delillo ◽  
Albert Camus ◽  
House Officer ◽  
George Orwell ◽  
Senior House Officer ◽  
Graham Greene ◽  
Medical Specialties ◽  
Anthony Burgess ◽  
The Bible ◽  
Bruce Chatwin

It is difficult, if not impossible, to systematically identify ten books that have been influential over a professional lifetime, not least since many have probably exerted their influence in long-forgotten ways: part of that semantic sediment laid down by protracted reading (and conversation). However, I do know that George Orwell was the first serious writer whom I read ‘of my own free will’ and I know that I would not wish to be without the works of Anthony Burgess, Albert Camus, Bruce Chatwin, Don DeLillo, Graham Greene, Henning Mankell or W.G. Sebald. I can remember that books on Buddhism sustained me through senior house officer jobs in a number of medical specialties (trying to focus, single-mindedly, on the task in hand rather than my tiredness or distraction), and I suspect that the metaphors of my thought and speech had already been much influenced by exposure to the Bible. Here, I focus on those books that have informed the way I think about psychiatry right now and how it might be practised.

Anthony Burgess: A Biography

2005 ◽  
Vol 79 (2) ◽  
pp. 88
Author(s):  
William Hutchings ◽  
Roger Lewis
Keyword(s):  
Anthony Burgess

Millennial Dark Ladies

2021 ◽  
Vol 33 (2) ◽  
pp. 79-92
Author(s):  
Katherine Scheil
Keyword(s):  
Women Writers ◽  
George Bernard Shaw ◽  
Central Figure ◽  
Anthony Burgess ◽  
Victorian Period ◽  
The Subject ◽  
Bernard Shaw

The Dark Lady evoked in Shakespeare’s Sonnets has been the subject of numerous speculations since the Victorian period. Several male writers and critics – George Bernard Shaw, Frank Harris, A. L. Rowse and Anthony Burgess, for example – have undertaken extended imaginative explorations of this alternative woman. More recently, the Dark Lady has become a central figure in millennial novels by women writers, designed primarily for a female reading audience. This article considers what’s at stake by placing this imaginary woman at the heart of Shakespeare’s artistic inspiration, and what this tells us about the meaning(s) of ‘Shakespeare’ for contemporary women writers and readers.

The language of A Clockwork Orange: A corpus stylistic approach to Nadsat

2017 ◽  
Vol 26 (3) ◽  
pp. 247-264 ◽  
Author(s):  
Benet Vincent ◽  
Jim Clarke
Keyword(s):  
The Novel ◽  
Stanley Kubrick ◽  
Systematic Analysis ◽  
Future Studies ◽  
Anthony Burgess ◽  
Cultural Currency ◽  
The Subject ◽  
Cultural Resonance

The 1962 dystopian novella A Clockwork Orange achieved global cultural resonance when it was adapted for the cinema by Stanley Kubrick in 1971. However, its author Anthony Burgess insisted that the novel’s innovative element was the introduction of ‘Nadsat’, an art language he created for his protagonist Alex and his violent gang of droogs. This constructed anti-language has achieved a cultural currency and become the subject of considerable academic attention over a 50-year period, but to date no study has attempted a systematic analysis of its resources and distribution. Rather, a number of studies have attempted to investigate the effects of Nadsat, especially in terms of the author’s claim that learning it functioned as a form of ‘brainwashing’ embedded within the text. This paper uses corpus methods to help isolate, quantify and categorise the distinctive lexicogrammatical features of this art language and investigate how Burgess introduces a new, mainly Russian-based lexicon to readers. In doing so, it clarifies the existing confusion over what Nadsat is, and also provides a roadmap for future studies into the construction, function and translatability of the created linguistic component of the novel.

The Manichee World of Anthony Burgess

Renascence ◽  
1973 ◽  
Vol 26 (1) ◽  
pp. 37-47
Author(s):  
John J. Stinson ◽  
Keyword(s):  
Anthony Burgess

Joyce's Contemporary: A Study of Anthony Burgess' "Napoleon Symphony"

1978 ◽  
Vol 19 (2) ◽  
pp. 180
Author(s):  
John Mowat
Keyword(s):  
Anthony Burgess
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