The Golden Number

2010 ◽  
pp. 111-114
Author(s):  
Nuno Crato
Keyword(s):  
2019 ◽  
Vol 2 (2) ◽  

Working on relationships of three circles in common ratio [4/π or square root of the golden number ] and drawing lines of related tangents, squares and triangles, viewed on the paper plan, a figure having the shape of a section [Hexagonal] similar to that of an Icosahedron or Dodecahedron. This gave me the idea of searching for an existing probable Polyhedron built upon this traced shape. In fact this Polyhedron was built[ 4x scale], whose geometry relates to the Icosahedron and the Dodecahedron. It is a non regular Icosahedron having 12 Isosceli triangles and 8 Equilateral triangles. Mirror triangles cut to size, invested the structure for the configuration of a “Polyhedroheliotrope”Satellite Optical Tracking application.


2014 ◽  
Vol 70 (2) ◽  
pp. 168-180 ◽  
Author(s):  
A. Janner

The fullerenes of the C60series (C60, C240, C540, C960, C1500, C2160etc.) form onion-like shells with icosahedralIhsymmetry. Up to C2160, their geometry has been optimized by Dunlap & Zope from computations according to the analytic density-functional theory and shown by Wardman to obey structural constraints derived from an affine-extendedIhgroup. In this paper, these approaches are compared with models based on crystallographic scaling transformations. To start with, it is shown that the 56 symmetry-inequivalent computed carbon positions, approximated by the corresponding ones in the models, are mutually related by crystallographic scalings. This result is consistent with Wardman's remark that the affine-extension approach simultaneously models different shells of a carbon onion. From the regularities observed in the fullerene models derived from scaling, an icosahedral infinite C60onion molecule is defined, with shells consisting of all successive fullerenes of the C60series. The structural relations between the C60onion and graphite lead to a one-parameter model with the same Euclidean symmetryP63mcas graphite and having ac/a= τ2ratio, where τ = 1.618… is the golden number. This ratio approximates (up to a 4% discrepancy) the value observed in graphite. A number of tables and figures illustrate successive steps of the present investigation.


2020 ◽  
pp. 132-143
Author(s):  
Nicholas Mee

The golden number or divine proportion was defined by Euclid. It is sometimes claimed that it was used in classical architecture, but it is not mentioned by Vitruvius, so this seems unlikely. The illustrations for Luca Pacioli’s book The Divine Proportion were drawn by Leonardo. The golden number is related to the structure of polyhedra with five-fold symmetry. Chapter 13 considers some of the properties of the regular and semi-regular or Archimedean polyhedra, and also considers the suggestion that the pupil in the famous painting of Luca Pacioli is a young Albrecht Dürer.


KoG ◽  
2017 ◽  
pp. 55-71
Author(s):  
Bojan Janjanin ◽  
Jelena Beban-Brkić

The topic of this paper is an analysis of the survey of Cheops pyramid (also known as the Great pyramid), the most significant of the three pyramids of the Giza complex, the archeological site on the plateau of Giza, situated on the periphery of Cairo. It is assumed that Cheops as well as Khafre and Menkaure pyramids were built around 2686 -- 2181 BC, known in the history as the Old Kingdom of Egypt. Our goal was to collect data about geodetic survey of Cheops pyramid and analyze it. Along with that, several hypotheses related to the construction method of the pyramid and possible purposes of the construction itself are described. When analyzing the survey, two numbers, also called ``two treasures of geometry'', are constantly appearing, these are the number Pi ($\pi$) and the Golden ratio or golden number Fi ($\varphi$). One of the chapters is dedicated to these numbers.


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